MARC Record from marc_columbia

LEADER: 03255cam a22003374a 4500
001 6954905
005 20221130195120.0
008 051101s2006 mdug b 001 0 eng
010 $a 2005031314
020 $a9780810857049 (pbk. : alk. paper)
020 $a0810857049 (pbk. : alk. paper)
035 $a(OCoLC)ocm62281569
035 $a(NNC)6954905
035 $a6954905
040 $aDLC$cDLC$dBAKER$dC#P$dIG#$dBTCTA$dYDXCP$dNNC$dOrLoB-B
042 $apcc
050 00 $aML3795$b.Z14 2006
082 00 $a781.4$222
100 1 $aZager, Michael.$0http://id.loc.gov/authorities/names/n92093029
245 10 $aMusic production :$ba manual for producers, composers, arrangers, and students /$cMichael Zager.
260 $aLanham, Md. :$bScarecrow Press,$c2006.
300 $axxiii, 366 pages :$bmusic ;$c26 cm +$e1 CD (4 3/4 in.)
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 349-350) and index.
505 00 $g1.$tAn overview of record production -- $g2.$tThe creative concepts of production -- $g3.$tThe artist -- $g4.$tSongwriting -- $g5.$tArranging and orchestration -- $g6.$tApproaching arrangement and orchestration -- $g7.$tCoaching singers and musicians -- $g8.$tMixing and mastering -- $g9.$tMusic videos -- $g10.$tThe production process -- $g11.$tProducing music for film and classical recordings -- $g12.$tProducing library music -- $g13.$tProducing advertising, television, and corporate music -- $g14.$tA brief history of popular music, part I -- $g15.$tA brief history of popular music, part II -- $g16.$tThe studio -- $g17.$tAudio engineering -- $g18.$tA combination of art and business -- $g19.$tThe record business -- $g20.$tBusiness agreements -- $g21.$tCD production budget -- $g22.$tAn opinion -- $g23.$tEpilogue.
520 1 $a"Divided into three parts, the book examines producing and recording, changes and advances in technology, and the ins and outs of the music business. Exploring the creative as well as the technical, the book describes production methods and variations for classical, vocal, and pop recordings and discusses film, television, commercials, music videos, and corporate music. Michael Zager explains the many tasks music producers face, from musical techniques - exploring compositions, songwriting, arranging and orchestrating, and coaching singers and musicians - to technological skills - studio technology, mixing and mastering, editing, and audio engineering. Guidance on advertising, promotion and marketing, and contracts and business agreements is also given. A brief history of popular music, a timeline of technological advances, and an audio CD of exercises round out this essential textbook for students - an introduction for both amateurs and professionals interested in learning the workings of music producing and recording."--BOOK JACKET.
650 0 $aMusic trade$xVocational guidance.$0http://id.loc.gov/authorities/subjects/sh2008108135
650 0 $aSound recordings$xProduction and direction$xVocational guidance.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip062/2005031314.html
852 00 $bmus$hML3795$i.Z14 2006$zAccompanied by 1 CD. Ask at Music circulation desk for accompanying CD.