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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-014.mrc:141032722:3096
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:141032722:3096?format=raw

LEADER: 03096cam a22003614a 4500
001 6936020
005 20221130193107.0
008 071220t20092009caug b s001 0 eng
010 $a 2007052243
019 $a225871571
020 $a9780520249790 (cloth : alk. paper)
020 $a0520249798 (cloth : alk. paper)
024 $a40016030470
035 $a(OCoLC)ocn185095618
035 $a(OCoLC)185095618$z(OCoLC)225871571
035 $a(NNC)6936020
035 $a6936020
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dC#P$dOrLoB-B
043 $ae-ru---
050 00 $aML300$b.T38 2009
082 00 $a780.947$222
100 1 $aTaruskin, Richard.$0http://id.loc.gov/authorities/names/n81100635
245 10 $aOn Russian music /$cRichard Taruskin.
260 $aBerkeley :$bUniversity of California Press,$c[2009], ©2009.
300 $a407 pages :$bmusic ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $gIntroduction.$tTaking It Personally -- $g1.$tSome Thoughts on the History and Historiography of Russian Music -- $g2.$tFor Ukraine, He's a Native Son, Regardless -- $g3.$t"Classicism" a la Russe -- $g4.$tA Wonderful Beginning -- $g5.$tDargomizhsky and His Stone Quest -- $g6.$tPathetic Symphonist: Chaikovsky, Russia, Sexuality, and the Study of Music -- $g7.$tChaikovsky and the Literary Folk: A Study in Misplaced Derision -- $g8.$tThe Great Symbolist Opera -- $g9.$tChaikovsky as Symphonist -- $g10.$tRussian Originals, De-and Re-Edited -- $g11.$tA New, New Boris? -- $g12.$tChristian Themes in Russian Opera: A Millennial Essay -- $g13.$tThe Case for Rimsky-Korsakov -- $g14.$tKitezh: Religious Art of an Atheist -- $g15.$tSex and Race, Russian Style -- $g16.$tYevreyi and Zhidy: A Memoir, a Survey, and a Plea -- $g17.$tThe Antiliterary Man: Diaghilev and Music -- $g18.$tFrom Fairy Tale to Opera in Four Moves -- $g19.$tTo Cross That Sacred Edge: Notes on a Fiery Angel -- $g20.$tProkofieff's Return -- $g21.$tTone, Style, and Form in Prokofieff's Soviet Operas -- $g22.$tGreat Artists Serving Stalin Like a Dog -- $g23.$tStalin Lives On in the Concert Hall, but Why? -- $g24.$tThe Last Symphony? -- $g25.$tFor Russian Music Mavens, a Fabled Beast Is Bagged -- $g26.$tRestoring Comrade Roslavets -- $g27.$tWhen Serious Music Mattered -- $g28.$tCasting a Great Composer as a Fictional Hero -- $g29.$tShostakovich's Bach: A Pill to Purge Stalinism -- $g30.$tFive Operas and a Symphony -- $g31.$tHearing Cycles -- $g32.$tOf Mice and Mendelssohn -- $g33.$tCurrent Chronicle: Molchanov's The Dawns Are Quiet Here -- $g34.$tThe Rising Soviet Mists Yield Up Another Voice -- $g35.$tWhere Is Russia's New Music? Iowa, That's Where -- $g36.$tNorth (Europe) by Northwest (America).
500 $a"An Ahmanson Foundation book in the humanities"--Jacket flap.
504 $aIncludes bibliographical references and index.
650 0 $aMusical criticism.$0http://id.loc.gov/authorities/subjects/sh85088956
650 0 $aMusic$zRussia$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008108106
852 00 $bmus$hML300$i.T38 2009