MARC Record from marc_columbia

LEADER: 03669cam a2200373Ia 4500
001 6935224
005 20221130192943.0
008 071207s2008 paua bc 000 0 eng d
010 $a 2008923222
020 $a9780884541134
020 $a0884541134
035 $a(OCoLC)ocn183262912
035 $a(NNC)6935224
035 $a6935224
040 $aBTCTA$cBTCTA$dBAKER$dYDXCP$dCIA$dCDX$dUAT$dOrLoB-B
050 4 $aNK9509.95.M37$bP87 2008
050 4 $aPN1972$b.P8 2008
082 04 $a688.7224075$222
245 04 $aThe puppet show /$ccurated by Ingrid Schaffner and Carin Kuoni ; with contributions by John Bell [and others].
260 $aPhiladelphia, Pa. :$bInstitute of Contemporary Art, University of Pennsylvania,$c2008.
300 $a127 pages :$billustrations (chiefly color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"Published on the occasion of the exhibition "The puppet show," Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 18-March 30, 2008"--p. [5].
500 $aArtists in the exhibition: Guy Ben-Ner, Nayland Blake, Louise Bourgeois, Maurizio Cattelan, Anne Chu, Nathalie Djurberg, Terence Gower, Dan Graham and Japanther, The Handspring Puppet Company, Pierre Huyghe, Christian Jankowski, Mike Kelley, William Kentridge, Cindy Loehr, Paul McCarthy, Annette Messager, Matt Mullican, Bruce Nauman, Dennis Oppenheim, Philippe Parreno and Rirkrit Tiravanija, Laurie Simmons, Doug Skinner and Michael Smith, Kiki Smith, Survival Research Laboratories, Kara Walker, Andy Warhol, Charlie White.
504 $aIncludes bibliographical references.
520 1 $a"The Institute of Contemporary Art (ICA) is pleased to present "The Puppet Show," a group exhibition that looks at the imagery of puppets in contemporary art. International in scope, "The Puppet Show" brings together 29 artists and several generations, as reflected by works that range from a 1974 installation by Dennis Oppenheim to a new animation by the Swedish artist Nathalie Djurberg. The exhibition concentrates on sculpture, video and photography. Some of the works involve actual puppets (marionettes, shadow puppets, hand puppets) and artists performing as puppeteers. Other images evoke topics associated with puppetry (manipulation, miniaturization, agency, control). Collectively these works show puppets to be a provocative and relevant imagery - one that moves deep into social, political and psychological terrains." "The puppet show takes as a historic point of departure one of the first episodes of avante-garde art history: Alfred Jarry's 1896 play Ubu Roi that was conceived as a puppet show. Ubu's reign continues with the work of the South African artist William Kentridge in collaboration with the Handspring Puppet Company. More recently, puppets have taken hold of pop consciousness by way of films, theater, computer games and animation. On a more political note, current events and national leadership raise questions of agency that cogently relate to puppets. Together with these collective points of reference, "The Puppet Show" poses a larger cultural question: why do puppets matter now?"--BOOK JACKET.
650 0 $aPuppets$vExhibitions.
650 0 $aPuppet theater$vExhibitions.
700 1 $aSchaffner, Ingrid.$0http://id.loc.gov/authorities/names/n96084544
700 1 $aKuoni, Carin.$0http://id.loc.gov/authorities/names/nr96045273
700 1 $aBell, John,$d1951-$0http://id.loc.gov/authorities/names/n00029105
710 2 $aUniversity of Pennsylvania.$bInstitute of Contemporary Art.$0http://id.loc.gov/authorities/names/n79069749
852 80 $bfax$hN6490$iP974