MARC Record from marc_columbia

LEADER: 02232cam a22003618a 4500
001 6603278
005 20221122041201.0
008 071106s2008 nyua b 000 0 eng
015 $aGBA7A2023$2bnb
016 7 $a014469843$2Uk
019 $a183264114
020 $a9780870707315 (hbk.)
020 $a0870707310 (hbk.)
035 $a(OCoLC)ocn183916663
035 $a(OCoLC)183916663$z(OCoLC)183264114
035 $a(NNC)6603278
035 $a6603278
040 $aUKM$cUKM$dBAKER$dYDXCP$dBTCTA$dNPL$dTXI$dOrLoB-B
050 4 $aN7432.7$b.T46 2008
082 04 $a752$222
100 1 $aTemkin, Ann.$0http://id.loc.gov/authorities/names/nr90009481
245 10 $aColor chart :$breinventing color 1950 to today /$ctext by Ann Temkin and Briony Fer.
260 $aNew York :$bMuseum of Modern Art ;$aLondon :$bThames & Hudson [distributor],$c2008.
263 $a200803
300 $a247 pages :$bcolor illustrations ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aPublished to accompany the exhibition at The Museum of Modern Art, New York, running from 2 March to 12 May 2008.
504 $aIncludes bibliographical references.
520 1 $a"Color Chart addresses the impact of standardized mass-produced color on the art of the past sixty years. Taking the commercial color chart as its central metaphor, the book chronicles an important artistic shift that took place during the middle of the twentieth century: a frank acknowledgment of color as a matter-of-fact element rather than a vehicle of spiritual or emotional content. Collected here are forty-four artists who explore in their works two senses of the phrase "ready-made color": color bought off the shelf, rather than mixed on a palette, and color assigned by chance or arbitrary system, rather than composed with traditional chromatic harmonies in mind." "This volume traces the lineage of the questions provoked by artists' new relationship to color, and the variety of answers that were the result."--BOOK JACKET.
650 0 $aColor in art$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008101210
700 1 $aFer, Briony.$0http://id.loc.gov/authorities/names/n92119670
852 80 $bfax$hND1260$iC6946