MARC Record from marc_columbia

LEADER: 02870cam a2200409 a 4500
001 6911092
005 20221130191100.0
008 070425t20082008mdua bq 001 0 eng
010 $a 2007017433
020 $a9780742538207 (cloth : alk. paper)
020 $a0742538206 (cloth : alk. paper)
020 $a9780742538214 (pbk. : alk. paper)
020 $a0742538214 (pbk. : alk. paper)
029 1 $aAU@$b000041581040
029 1 $aNZ1$b11360327
035 $a(OCoLC)ocn137325007
035 $a(OCoLC)137325007
035 $a(NNC)6911092
035 $a6911092
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dNOR$dTSU$dNNC$dOrLoB-B
050 00 $aPN1997.85$b.G47 2008
082 00 $a791.43/6$222
100 1 $aGeraghty, Christine.$0http://id.loc.gov/authorities/names/no91017274
245 10 $aNow a major motion picture :$bfilm adaptations of literature and drama /$cChristine Geraghty.
260 $aLanham :$bRowman & Littlefield Publishers,$c[2008], ©2008.
300 $aviii, 223 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aGenre and beyond
504 $aIncludes filmography: p. 199-202.
504 $aIncludes bibliographical references (p. 203-211) and index.
505 00 $g1.$tNarrative and Characterization in Classic Adaptations: David Copperfield, Oliver Twist, and Pride and Prejudice -- $g2.$tArt Cinema, Authorship, and the Impossible Novel: Adaptations of Proust, Woolf and Joyce -- $g3.$tTennessee Williams on Film: Space, Melodrama, and Stardom -- $g4.$tFeminism, Authorship, and Genre: Adaptations of the Novels of Edna Ferber and Pearl S. Buck -- $g5.$tRevising the Western: Movement and Description in The Last of the Mohicans and Brokeback Mountain -- $g6.$tSpace, Setting, and Mobility in Old New York: The Heiress, The House of Mirth, and Gangs of New York.
520 1 $a"Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall - elements that many movie critics tend to forget when focusing solely on faithfulness to the written word."--BOOK JACKET.
650 0 $aFilm adaptations$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103719
830 0 $aGenre and beyond.$0http://id.loc.gov/authorities/names/n2003035602
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0716/2007017433.html
852 00 $bbar$hPN1997.85$i.G47 2008