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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-014.mrc:10919143:2851
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:10919143:2851?format=raw

LEADER: 02851cam a2200313 a 4500
001 6601547
005 20221122041017.0
008 070927s2008 nyu 000 0 eng
010 $a 2007040336
020 $a9780307266811
020 $a0307266818
024 $a40015285991
035 $a(OCoLC)ocn166358515
035 $a(OCoLC)166358515
035 $a(NNC)6601547
035 $a6601547
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dOrLoB-B
050 00 $aPS3558.I64$bS64 2008
082 00 $a811/.54$222
100 1 $aHirsch, Edward.$0http://id.loc.gov/authorities/names/n80153675
245 10 $aSpecial orders :$bpoems /$cEdward Hirsch.
250 $a1st ed.
260 $aNew York :$bAlfred A. Knopf,$c2008.
300 $aviii, 64 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $g1.$tMore Than Halfway -- $tSpecial Orders -- $tCotton Candy -- $tBranch Library -- $tPlaying the Odds -- $tMy Father's Track-and-Field Medal, 1932 -- $tCold Calls -- $tSecond-Story Warehouse -- $tThe Swimmers -- $tThe Chardin Exhibition -- $tOn the Rhine -- $tKrakow, 6 A.M. -- $tElegy for the Jewish Villages -- $tSoutine: A Show of Still Lifes -- $tThe Minimalist Museum -- $tSelf-portrait -- $tA Few Encounters with My Face -- $tMan Without a Face -- $tTo My Shadow -- $tMore Than Halfway -- $tA Partial History of My Stupidity -- $g2.$tTo the Clearing -- $tLate March -- $tGreen Night -- $tTo D.B. -- $tBounty -- $tTo Houston -- $tEighteen Steps -- $tCharades -- $tBoy with a Headset -- $tGreen Figs -- $tThe Sweetness -- $tTo Lethargy -- $tGnostic Gospels -- $tA New Theology -- $tHappiness Writes White -- $tI Wish I Could Paint You -- $tTo the Subway -- $tAs I Walked Home from the Hospital -- $tGreen Couch -- $tA Night in September -- $tAfter a Long Insomniac Night.
520 1 $a"In Special Orders, the renowned poet Edward Hirsch brings us a new series of tightly crafted poems, work that demonstrates a thrilling expansion of his tone and subject matter. It is with a mixture of grief and joy that Hirsch examines what he calls "the minor triumphs, the major failures" of his life so far, in lines that reveal a startling frankness in the man composing them, a fearlessness in confronting his own internal divisions: "I lived between my heart and my head, / like a married couple who can't get along," he writes in "Self-portrait." These poems constitute a profound, sometimes painful self-examination, by the end of which the poet marvels at the sense of expectancy and transformation he feels. His fifteen-year-old son walking on Broadway is a fledgling about to sail out over the treetops; he has a new love, passionately described in "I Wish I Could Paint You"; he is ready to live, he tells us, "solitary, bittersweet, and utterly free.""--BOOK JACKET.
852 00 $bglx$hPS3558.I64$iS64 2008