| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:10915107:4036 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:10915107:4036?format=raw |
LEADER: 04036cam a22003374a 4500
001 6601546
005 20221122041017.0
008 070806t20082008maua b 001 0 eng
010 $a 2007032443
020 $a9780262633635 (pbk. : alk. paper)
020 $a0262633639 (pbk. : alk. paper)
024 $a40015285983
035 $a(OCoLC)ocn165478021
035 $a(OCoLC)165478021
035 $a(NNC)6601546
035 $a6601546
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dUKM$dC#P$dOrLoB-B
050 00 $aML197$b.S694 2008
082 00 $a780.9/05$222
245 00 $aSound unbound :$bsampling digital music and culture /$cedited by Paul D. Miller aka DJ Spooky that Subliminal Kid.
260 $aCambridge, Mass. :$bMIT Press,$c[2008], ©2008.
300 $axi, 416 pages :$billustrations ;$c23 cm +$e1 CD (digital ; 4 3/4 in.)
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tForeword /$rCory Doctorow -- $g1.$tAn Introduction, or My (Ambiguous) Life with Technology /$rSteve Reich -- $g2.$tIn Through the Out Door: Sampling and the Creative Act /$rPaul D. Miller -- $g3.$tThe Future of Language /$rSaul Williams -- $g4.$tThe Ecstasy of Influence: A Plagiarism Mosaic /$rJoanathan Lethem -- $g5.$t"Roots and Wires" Remix Polyrhythmic Tricks and the Black Electronic /$rErik Davis -- $g6.$tThe Life and Death of Media /$rBruce Sterling -- $g7.$tUn-imagining Utopia /$rDick Hebdige -- $g8.$tFreaking the Machine: A Discussion about Keith Obadike's Sexmachines /$rKeith Obadike and Mendi Obadike -- $g9.$tFreeze Frame Audio, Aesthetics, Sampling, and Contemporary Multimedia /$rKen Jordan and Paul D. Miller -- $g10.$tA Theater of Ideas An Interview with Steve Reich and Beryl Korot on Three Tales /$rDavid Allenby -- $g11.$tQuantum Improvisation: The Cybernetic Presence /$rPauline Oliveros -- $g12.$tThe Ghost Outside the Machine /$rScanner -- $g13.$tThe Musician as Thief: Digital Culture and Copyright Law /$rDaphne Keller -- $g14.$tIntegrated Systems: Mobile Stealth Unit /$rBeth Coleman and Howard Goldkrand -- $g15.$tAn Interview with Moby /$rLucy Walker -- $g16.$tZing! Went the Strings /$rJoseph Lanza -- $g17.$tRenegade Academia /$rSimon Reynolds -- $g18.$tThe World of Sound: A Division of Raymond Scott Enterprises /$rJeff E. Winner -- $g19.$tFrom Hip-Hip to Flip-Flop: Black Noise in the Master-Slave Circuit /$rRon Eglash -- $g20.$tSouth Africa's Rhythms of Resistance /$rLee Hirsch -- $g21.$tThe Virtual Breeding of Sound /$rManuel DeLanda -- $g22.$tZoom: Mining Acceleration /$rFrances Dyson and Douglas Kahn -- $g23.$tAn Interview with Alex Steinweiss /$rCarlo McCormick -- $g24.$tStop. Hey. What's That Sound? /$rKen Jordan -- $g25.$tPermuting Connections: Software for Dancers /$rScott deLahunta -- $g26.$tOn Improvisation, Temporality, and Embodied Experience /$rVijay Iyer -- $g27.$tSpin the Painting: An Interview with Nadine Robinson /$rAlondra Nelson -- $g28.$tCamera Lucida: Three-dimensional Sonochemical Observatory /$rEvelina Domnitch and Dmitry Gelfand -- $g29.$tFear of a Muslim Planet: Hip-Hop's Hidden History /$rNaeem Mohaiemen -- $g30.$tThree Pieces /$rChuck D. -- $g31.$tBells and Their History /$rBrian Eno -- $g32.$tWhat One Must Do: Comments and Asides on Musical Philosophy /$rDaniel Bernard Roumain -- $g33.$tAn Interview with Pierre Boulez /$rHans-Ulrich Obrist and Philippe Parreno -- $g34.$tAdh'an: The Sounds of an Islamized Orthodoxy /$rIbrahim Quraishi -- $g35.$tTheater of the Spirits: Joseph Cornell and Silence /$rCatherine Corman -- $g36.$tWhere Did the Music Go? /$rJaron Lanier.
650 0 $aMusic$y21st century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2010102768
650 0 $aMusic and technology.$0http://id.loc.gov/authorities/subjects/sh94007386
650 0 $aPopular culture$xHistory$y21st century.
700 0 $aDJ Spooky That Subliminal Kid.$0http://id.loc.gov/authorities/names/no98061996
852 00 $bmus$hML197$i.S694 2008$zAccompanied by 1 CD.