MARC Record from marc_columbia

LEADER: 03557cam a22003614a 4500
001 6887080
005 20221122055907.0
008 080321s2008 nyua 001 0 eng
010 $a 2008013440
020 $a9780810983205 (harry n. abrams, inc.)
020 $a0810983206 (harry n. abrams, inc.)
024 $a40015824285
035 $a(OCoLC)ocn218188132
035 $a(OCoLC)218188132
035 $a(NNC)6887080
035 $a6887080
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dC#P$dOrLoB-B
050 00 $aND2590$b.L49 2008
082 00 $a751.7/3$222
100 1 $aLewisohn, Cedar.$0http://id.loc.gov/authorities/names/n2008020682
245 10 $aStreet art :$bthe graffiti revolution /$cCedar Lewisohn.
260 $aNew York, NY :$bAbrams,$c2008.
300 $a160 pages :$billustrations (chiefly color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
505 00 $tForeword /$rHenry Chalfant -- $gIntroduction.$tStreet Art or Graffiti? -- $tGraffiti -- $tLive in Pompeii -- $tBrassai -- $tThe Evolution of Graffiti -- $tLee -- $tGetting the Picture: Martha Cooper -- $tStyle Wars -- $tFutura 2000 -- $tEarly Shows -- $tI am Somebody! -- $tGraffiti is Addictive -- $tTags (Noms de Guerre) -- $tBarry McGee -- $tBrazil Style -- $tStreet Art -- $tGlobal-style Graffiti, Local-style Street Art -- $tErnest Pignon-Ernest -- $tBlek le Rat -- $tArt School of Hard Knocks -- $tGordon Matta-Clark -- $tStreet Art Avant-Garde -- $tDan Witz -- $tUnderCulture Gone Mainstream -- $tMixing it up: The Politics -- $tAnti-Modernism (The Barbarians are at the Gates) -- $tJenny Holzer -- $tJohn Fekner -- $tDisrupting Systems of Thought -- $tJean-Michel Basquiat and Keith Haring -- $tSetting and Anonymity -- $tObey: Shepard Fairey -- $tSurvival in Hyper-Reality -- $tThe Medium is the Message, Sometimes -- $tFaile -- $tKaws -- $tAdvertising -- $tMustafa Hulusi -- $tSubvertising -- $tBanksy -- $tMiss Van -- $tJR -- $tMuseums and Outlaws -- $tIllegal v. Legal -- $tBlu -- $tOutsiders -- $tInvader -- $tSanctioning Bodies -- $tEine -- $tThe Market -- $tJudith Sulpine -- $tSwoon -- $tThe Wooster Collective -- $tD*Face -- $tSculpture -- $tCrateman -- $tGraffiti Research Lab -- $tThe End is No End.
520 1 $a"Street Art is a global phenomenon, one of the most popular and hotly discussed areas of art-making on the contemporary scene. Developing out of the graffiti tradition of the 1980s it has now reached the mainstream through the work of artists like Banksy and Futura 2000, becoming the subject of best-selling books and commanding high prices at auction." "Cedar Lewisohn has written the first account of this visual revolution to trace its history from cave painting through to the vibrant art emerging today on the walls of London, Madrid and Sao Paulo, via Brassai's photographs of 1920s Paris and Basquiat and Haring's New York. Superbly illustrated with over 120 colour photographs of street art from around the world, the book includes interviews with leading street art proponents of the last three decades, taking the reader behind their 'tags' to encounter the often mysterious figures who are transforming cities across the globe."--BOOK JACKET.
650 0 $aStreet art.$0http://id.loc.gov/authorities/subjects/sh85128580
650 0 $aGraffiti.$0http://id.loc.gov/authorities/subjects/sh85056185
650 0 $aMural painting and decoration.$0http://id.loc.gov/authorities/subjects/sh85088531
852 00 $bbar$kSUPPRESSED$hND2590$i.L49 2008
852 80 $bfax$hND195$iL58