MARC Record from marc_columbia

LEADER: 02856pam a22003854a 4500
001 6074102
005 20221121233746.0
008 060615t20072007nyu q 001 0 eng
010 $a 2006020018
020 $a0375422536 (hardcover)
020 $a9780375422539 (hardcover)
024 3 $a9780375422539
029 1 $aYDXCP$b2483062
035 $a(OCoLC)OCM70131181
035 $a(OCoLC)70131181
035 $a(NNC)6074102
035 $a6074102
040 $aDLC$cDLC$dBAKER$dBTCTA$dYDXCP$dC#P$dOrLoB-B
043 $an-us---
050 00 $aPN1993.5.U6$bM244 2007
082 00 $a384/.80973$222
100 1 $aMamet, David.$0http://id.loc.gov/authorities/names/n77012756
245 10 $aBambi vs. Godzilla :$bon the nature, purpose, and practice of the movie business /$cDavid Mamet.
246 3 $aBambi versus Godzilla
250 $a1st ed.
260 $aNew York :$bPantheon Books,$c[2007], ©2007.
300 $axii, 250 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
504 $aIncludes filmography: p. [207]-238.
505 00 $tThe good people of Hollywood -- $tHard work -- $tProducers -- $tVictims and villains -- $tJews in show business -- $tThe development process; or, learning to make nothing at all! -- $tThe repressive mechanism -- $tA dark comedy -- $tAn American tragedy -- $tAn understanding and a misunderstanding of the repressive mechanism -- $tCorruption -- $tThe screenplay -- $tHow to write a screenplay -- $tCharacter, plot, dialogue, camera angles, advice to the editor -- $tHelpful hints on screenwriting -- $tThe script -- $tWomen, writing for -- $tHow scripts got so bad -- $tBegging letters -- $t(Secret bonus chapter) the three magic questions -- $tTechnique -- $tStorytelling : some technical advice -- $tLearning by doing -- $tImprovisation -- $tThe slate piece -- $tThe wisdom of the ancients -- $tSome principles -- $tThe audience; or, lessons from duck hunting -- $tAesthetic distance -- $tThe five-gag film -- $tBringing a gun to a knife fight; or, a short tour of the concept of suspension of disbelief -- $tGenre -- $tBang-bang -- $tThe cop movie -- $tFilm Noir and He-Men -- $tShadow of a doubt -- $tReligious films -- $tThe sequel -- $tPassing judgment -- $tReverence as opposed to love -- $tGreat and rotten acting -- $tGood in the room : auditions and the fallacy of testing -- $tCritics -- $tThe critic and the censor -- $tCrimes and misdemeanors -- $tManners in Hollywood -- $tTheft -- $tTwo great American documents; or, in the wake of the Oscars -- $tConclusion : it ain't over till it's over.
650 0 $aMotion picture industry$zUnited States.$0http://id.loc.gov/authorities/subjects/sh85088052
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0615/2006020018.html
852 00 $bglx$hPN1993.5.U6$iM244 2007