| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:56426903:2042 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:56426903:2042?format=raw |
LEADER: 02042pam a2200397 a 4500
001 6061310
005 20221121232652.0
008 061030t20072007caua b s001 0 eng
010 $a 2006036179
015 $aGBA678499$2bnb
016 7 $a013552466$2Uk
020 $a9780520247529 (cloth : alk. paper)
020 $a0520247523 (cloth : alk. paper)
024 3 $a9780520247529
035 $a(OCoLC)OCM71347468
035 $a(OCoLC)71347468
035 $a(NNC)6061310
035 $a6061310
040 $aDLC$cDLC$dUKM$dBAKER$dC#P$dOrLoB-B
043 $aa-cc-pe
050 00 $aPN2876.B37$bG65 2007
082 00 $a792.0951/156$222
100 1 $aGoldstein, Joshua,$d1965-$0http://id.loc.gov/authorities/names/n2006082998
245 10 $aDrama kings :$bplayers and publics in the re-creation of Peking opera, 1870-1937 /$cJoshua Goldstein.
260 $aBerkeley :$bUniversity of California Press,$c[2007], ©2007.
300 $axi, 371 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 335-353) and index.
505 00 $gPt. 1.$t(Re)framing the genre, 1870-1919 --$g1.$tLate Qing institutions of Peking opera --$g2.$tFrom teahouse to playhouse --$g3.$tThe experimental stage, 1895-1920 --$g4.$tMay fourth realism and Qi Rushan's theory of national drama --$gPt. 2.$tPeking opera to national drama, 1920-1937 --$g5.$tLandscape and figure, nation and character --$g6.$tThe limits of reform --$g7.$tThe gendering of national culture, or, the only good woman is a man --$g8.$tNationalization through iconification.
650 0 $aTheater$zChina$zBeijing$xHistory.$0http://id.loc.gov/authorities/subjects/sh2010116252
650 0 $aOperas, Chinese$zChina$zBeijing$xHistory.
600 10 $aMei, Lanfang,$d1894-1961.$0http://id.loc.gov/authorities/names/n81009469
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip074/2006036179.html
852 00 $beal$hPN2876.B37$iG65 2007
852 00 $bbar$hPN2876.B37$iG65 2007