MARC Record from marc_columbia

LEADER: 02229pam a22004454a 4500
001 6044016
005 20221121231146.0
008 060703s2007 nyua b 001 0 eng
010 $a 2006049846
015 $aGBA690273$2bnb
016 7 $a013584334$2Uk
019 $a74524406
020 $a1403976309 (alk. paper)
020 $a9781403976307 (alk. paper)
024 3 $a9781403976307
035 $a(OCoLC)OCM70708109
035 $a(OCoLC)70708109$z(OCoLC)74524406
035 $a(NNC)6044016
035 $a6044016
040 $aDLC$cDLC$dBAKER$dUKM$dC#P$dOrLoB-B
050 00 $aML3918.R37$bO88 2007
082 00 $a782.421649$222
100 1 $aOsumare, Halifu.$0http://id.loc.gov/authorities/names/n92099608
245 14 $aThe Africanist aesthetic in global hip-hop :$bpower moves /$cHalifu Osumare.
250 $a1st ed.
260 $aNew York :$bPalgrave Macmillan,$c2007.
300 $axii, 219 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [203]-211) and index.
505 00 $tIntroduction : power moves from the hip-hop nation to the hip-hop globe -- $g1.$tPhat beats, dope rhymes, and def moves : the Africanist aesthetic meets the hip-hop globe -- $g2.$tBeat streets in the global hood : hip-hop's connective marginalities -- $g3.$tProps to the local boyz : hip-hop culture in Hawai'i -- $g4.$t"It's all about the Benjamins" : postmodernism and hip-hop's appropriation.
650 0 $aRap (Music)$xSocial aspects.$0http://id.loc.gov/authorities/subjects/sh2010109537
650 0 $aRap (Music)$xPolitical aspects.
650 0 $aHip-hop$xInfluence.$0http://id.loc.gov/authorities/subjects/sh2006004241
650 0 $aIntercultural communication.$0http://id.loc.gov/authorities/subjects/sh85067222
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0662/2006049846-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0662/2006049846-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0662/2006049846-t.html
852 00 $bmus$hML3918.R37$iO88 2007
852 00 $bbar$hML3918.R37$iO88 2007