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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-013.mrc:309290284:3003
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:309290284:3003?format=raw

LEADER: 03003cam a22003974a 4500
001 6371445
005 20221122030202.0
008 080110t20082008nyua b s001 0 eng
010 $a 2007002073
020 $a9780791472651 (hardcover : alk. paper)
020 $a0791472655 (hardcover : alk. paper)
024 $a99818895392
035 $a(OCoLC)80358834
035 $a(OCoLC)ocm80358834
035 $a(DLC) 2007002073
035 $a(NNC)6371445
035 $a6371445
040 $aDLC$cDLC$dBTCTA$dBAKER$dUKM$dC#P$dOrLoB-B
050 00 $aBT695.5$b.B734 2008
082 00 $a246$222
100 1 $aBratton, Susan.$0http://id.loc.gov/authorities/names/n87118302
245 10 $aEnvironmental values in Christian art /$cSusan Power Bratton.
260 $aAlbany, NY :$bState University of New York Press,$c[2008], ©2008.
300 $aix, 282 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aSUNY series on religion and the environment
504 $aIncludes bibliographical references (p. 245-259) and index.
505 00 $gCh. 1.$tEnvironmental Values in Christian Art -- $gCh. 2.$tThe Good Shepherd and His Dog: Nature in the Earliest Christian Art -- $gCh. 3.$tCosmos without a Crucifix: Basilicas in Rome and Ravenna -- $gCh. 4.$tIrish Creation from High Crosses to the Book of Kells -- $gCh. 5.$tUrbanization and the End of Animal Sacrifice -- $gCh. 6.$tMedieval Transitions: A Dying Creator and the Hybridization of Hell -- $gCh. 7.$tThe Transcendent Gothic: Glorious Light, Green Cross -- $gCh. 8.$tGothic Perspectives on Feudalism, Urbanization, Peasants, and Poverty -- $gCh. 9.$tGothic Naturalism, Christian Dualism, and Environmental Racism -- $gCh. 10.$tRenaissance Realism: The Virgin's Meadow -- $gCh. 11.$tThe Reformers: The Creator in Rustic Landscapes -- $gCh. 12.$tGod's Body and Blood as Bread and Wine.
520 1 $a"This book looks at what art reveals about the environmental values of Christianity. As western Europe transitioned to Christianity, pagan religious aesthetics changed or were displaced. Focusing on Christian art and architecture from early third-century Rome to seventeenth-century Netherlands, Susan Power Bratton examines this transition. She explores the relationship between Christ and nature in emergent Christian art, the role nonhumans play in this art, and how Christian art represents the ownership and management of natural resources."--BOOK JACKET.
650 0 $aNature$xReligious aspects$xChristianity.$0http://id.loc.gov/authorities/subjects/sh2008108354
650 0 $aNature in art.$0http://id.loc.gov/authorities/subjects/sh2002012103
650 0 $aChristian art and symbolism.$0http://id.loc.gov/authorities/subjects/sh85025011
830 0 $aSUNY series on religion and the environment.$0http://id.loc.gov/authorities/names/no2007080427
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip079/2007002073.html
852 00 $buts$hBT695.5$i.B734 2008