| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:301527688:4035 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-013.mrc:301527688:4035?format=raw |
LEADER: 04035cam a22004814a 4500
001 6361458
005 20221122025405.0
008 060901s2007 enka bq 001 0 eng
010 $a 2006050779
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016 7 $a013495092$2Uk
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020 $a1403906734 (cloth)
020 $a9781403906731 (cloth)
020 $a1403906726 (pbk.)
020 $a9781403906724 (pbk.)
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050 00 $aPR3093$b.H56 2007
082 00 $a791.43/6$222
100 1 $aHindle, Maurice.$0http://id.loc.gov/authorities/names/n85282416
245 10 $aStudying Shakespeare on film /$cMaurice Hindle.
260 $aHoundmills, Basingstoke [England] ;$aNew York :$bPalgrave Macmillan,$c2007.
300 $axvii, 272 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 248-252) and index.
504 $aIncludes filmography: p. 252-253.
505 0 $aPart I: Shakespeare and the language of film : Filming and staging Shakespeare: some contrasts ; The audience: individual and collective experience ; The space of the movie screen ; Imagery: verbal and visual ; Putting it all together -- Part II: The history of Shakespeare on film 1899-2005 : Silent Shakespeare ; The thirties: Hollywood Shakespeare ; The forties: Olivier and Welles ; The fifties: postwar diversity ; The sixties and seventies: Cultural revolution, filmic innovation ; The nineties: Branagh's renaissance and the Shakespeare on film revival ; 2000 and beyond: Shakespeare on film in the new millennium -- Part III: Communicating Shakespeare on film : Modes, styles, genres ; The theatrical mode ; The realistic mode ; The filmic mode ; The periodising mode ; Film genre: conventions and codes ; Genre conventions and the Shakespeare film adaptation ; A cross-cultural Shakespeare adaptation: Kurosawa's Kumonosu-Jô -- Part IV: Critical essays : Comedies: Kenneth Branagh's Much ado about nothing (UK, 1993), Adrian Noble's A midsummer night's dream (UK, 1996) ; Michael Hoffman's A midsummer night's dream (USA, 1999) ; Histories: Laurence Olivier's Henry V (UK, 1944) ; Kenneth Branagh's Henry V (UK, 1989) ; Laurence Olivier's Richard III (UK, 1955) ; Richard Loncraine's Richard III (UK, 1995) ; Tragedies: Franco Zeffirelli's Romeo and Juliet (UK/Italy, 1968) ; Baz Luhrmann's William Shakespeare's Romeo + Juliet (USA, 1996) ; Laurence Olivier's Hamlet (UK, 1948) ; Kenneth Branagh's Hamlet (UK, 1996) ; Michael Almereyda's Hamlet (USA, 2000) ; Orson Welles's Macbeth (USA, 1948) ; Roman Polanski's Macbeth (UK, 1971) -- Part V: Shakespeare on television ; Film and TV: the key differences ; The BBC-TV series: shooting the complete canon ; TV Shakespeare: the stage/screen hybrid ; Appendix 1: Box office data for selected Shakespeare film adaptations on theatrical release in US movie theatres from 1989 ; Appendix 2: Kenneth Brannagh's Much ado about nothing (1993): Structure of emotional registers and rhythms.
600 10 $aShakespeare, William,$d1564-1616$vFilm adaptations.$0http://id.loc.gov/authorities/subjects/sh2010002339
650 0 $aEnglish drama$vFilm adaptations.$0http://id.loc.gov/authorities/subjects/sh2008103096
650 0 $aFilm adaptations$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103719
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0667/2006050779-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0667/2006050779-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0667/2006050779-t.html
852 00 $bbar$hPR3093$i.H56 2007