MARC Record from marc_columbia

LEADER: 03377cam a22004934a 4500
001 6342052
005 20221122023901.0
008 070504t20072007ctuabg bc 001 0deng
010 $a 2007019053
015 $aGBA751046$2bnb
016 7 $a013783638$2Uk
020 $a9780300116618 (alk. paper)
020 $a0300116616 (alk. paper)
035 $a(OCoLC)ocn128236950
035 $a(OCoLC)128236950
035 $a(NNC)6342052
035 $a6342052
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dYDXCP$dC#P$dBWX$dOrLoB-B
043 $anwjm---$ae-uk---
050 00 $aN8243.S576$bB37 2007
082 00 $a709.7292/074$222
100 1 $aBarringer, T. J.$0http://id.loc.gov/authorities/names/nr91002415
245 10 $aArt and emancipation in Jamaica :$bIsaac Mendes Belisario and his worlds /$cTim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz ; with essays by Stephen Banfield [and others] ; with contributions by Graham C. Boettcher [and others].
260 $aNew Haven :$bYale Center for British Art in association with Yale University Press,$c[2007], ©2007.
300 $axix, 592 pages :$billustrations (chiefly color), maps (some color), music ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aCatalog of an exhibition at the Yale Center for British Art, New Haven, Conn., Sept. 27-Dec. 30, 2007.
504 $aIncludes bibliographical references (p. 556-576) and index.
505 00 $tDirector's Foreword /$rAmy Meyers --$tMap of Jamaica --$tChronology /$rCourtney J. Martin and Alexander Lee --$tIntroduction /$rTim Barringer and Gillian Forrester --$tEssays --$tSketches of Character --$tCatalogue --$gAppendix.$tSlave-owner Compensation to Sketches of Character Subscribers /$rNicholas Draper.
520 1 $a"This multidisciplinary volume chronicles the iconography of sugar, slavery, and the landscape of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the mid-nineteenth century. It provides new perspectives on art, music, religion, and performance in Jamaican society and highlights the role of artistic culture in the resistance mounted by the enslaved. Through its central figure, Jewish Jamaican artist Isaac Mendes Belisario (1795-1849), the book also offers new insight into the Jewish diaspora in the Caribbean." "At the book's core is Belisario's remarkable series of lithographs, Sketches of Character (1837- 38), the earliest visual representation of the Afro-Jamaican masquerade form Jonkonnu (or John Canoe)."--BOOK JACKET.
650 0 $aSlavery in art$vExhibitions.
600 10 $aBelisario, Isaac Mendes,$d1795-1849$vExhibitions.
650 0 $aArt, Jamaican$vExhibitions.
650 0 $aArt, British$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2009115732
651 0 $aJamaica$vIn art$vExhibitions.
650 0 $aSlavery$zJamaica$vExhibitions.
650 0 $aSlaves$xEmancipation$zJamaica$vExhibitions.
700 1 $aForrester, Gillian.$0http://id.loc.gov/authorities/names/no2016151349
700 1 $aMartinez-Ruiz, Barbaro.$0http://id.loc.gov/authorities/names/n2007031814
710 2 $aYale Center for British Art.$0http://id.loc.gov/authorities/names/n77005277
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0717/2007019053.html
852 80 $bfax$hN6591$iB27
852 00 $bbar$hN8243.S576$iB37 2007