MARC Record from marc_columbia

LEADER: 04112pam a2200409 a 4500
001 6306190
005 20221122021111.0
008 070502t20072007njua b 001 0 eng
010 $a 2007018558
015 $aGBA759860$2bnb
016 7 $a013805618$2Uk
020 $a9780691125275 (cloth : alk. paper)
020 $a0691125279 (cloth : alk. paper)
035 $a(DLC)OCN124074866
035 $a(OCoLC)124074866
035 $a(NNC)6306190
035 $a6306190
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dC#P$dOrLoB-B
043 $an-us---
050 00 $aPN1993.5.U6$bB319 2007
082 00 $a791.430973$222
100 1 $aBaumann, Shyon,$d1971-$0http://id.loc.gov/authorities/names/n2007031024
245 10 $aHollywood highbrow :$bfrom entertainment to art /$cShyon Baumann.
260 $aPrinceton :$bPrinceton University Press,$c[2007], ©2007.
300 $axiv, 225 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aPrinceton studies in cultural sociology
504 $aIncludes bibliographical references (p. [203]-215) and index.
505 00 $gCh. 1.$tIntroduction: Drawing the Boundaries of Art -- $tThe Central Argument -- $tHow Do We Know What Art Is? -- $tAmerican Film History -- $tThe Social Construction of Art -- $tThe Creation of Artistic Status: Opportunity, Institutions, and Ideology -- $gCh. 2.$tThe Changing Opportunity Space: Developments in the Wider Social Context -- $tThe First World War and Urban-American Life: Two Disparate Influences on Film Attendance in Europe and the United States -- $tPost-World War II Changes in the Size and Composition of American Film Audiences -- $gCh. 3.$tChange from Within: New Production and Consumption Practices -- $tFilm Festivals -- $tSelf-Promotion of Directors -- $tTies to Academia -- $tUnited States, England, Germany, Italy, and France: Changes in the Industrial and Social History of Film -- $tPurification through Venue: From Nickelodeons to Art Houses -- $tPrestige Productions -- $tThe Ebb of Censorship and the Coming of Art -- $tThe Crisis of the 1960s Forced Hollywood down New Paths -- $gCh. 4.$tThe Intellectualization of Film -- $tEarly U.S. Film Discourse -- $tThe Intellectualization of Film Reviews: 1925-1985 -- $tFilm Reviews Approach Book Reviews: A Comparison with Literature -- $t1960s Advertisements Incorporate Film Review -- $tForeign Film: A Pathway to High Art for Hollywood -- $tCultural Hierarchy, the Relevance of Critics, and the Status of Film as Art -- $gCh. 5.$tMechanisms for Cultural Valuation -- $tWhy a Middlebrow Art? -- $tFilm Consumption as Cultural Capital -- $tAn Emphasis on Intellectualizing Discourse -- $tIntegration of Factors -- $tThe Study of Cultural Hierarchy.
520 1 $a"In Hollywood Highbrow, Shyon Baumann tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves." "The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies - and not just European ones - deserved to be considered art."--BOOK JACKET.
650 0 $aMotion pictures$zUnited States$xHistory.$0http://id.loc.gov/authorities/subjects/sh2008108001
650 0 $aMotion pictures$xAesthetics.$0http://id.loc.gov/authorities/subjects/sh85088085
650 0 $aFilm criticism$zUnited States$xHistory.
830 0 $aPrinceton studies in cultural sociology.$0http://id.loc.gov/authorities/names/n99020455
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0717/2007018558.html
852 00 $bglx$hPN1993.5.U6$iB319 2007