MARC Record from marc_columbia

LEADER: 01950cam a2200349 a 4500
001 6296551
005 20221122020134.0
008 070626t20072007paug b s001 0 eng
010 $a 2007026535
020 $a9780271031989 (cloth : alk. paper)
020 $a0271031980 (cloth : alk. paper)
035 $a(DLC)OCN148851123
035 $a(OCoLC)148851123
035 $a(NNC)6296551
035 $a6296551
040 $aDLC$cDLC$dBTCTA$dBAKER$dC#P$dOrLoB-B
050 00 $aML3853$b.T56 2007
082 00 $a781.46/117$222
100 1 $aThom, Paul.$0http://id.loc.gov/authorities/names/n81144796
245 14 $aThe musician as interpreter /$cPaul Thom.
260 $aUniversity Park, Pa. :$bPennsylvania State University Press,$c[2007], ©2007.
300 $axxv, 101 pages :$bmusic ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aStudies of the Greater Philadelphia Philosophy Consortium
504 $aIncludes bibliographical references (p. [93]-97) and index.
505 00 $g1.$tTranscriptions -- $g2.$tVariations -- $g3.$tRealizations -- $g4.$tInterpretations.
520 1 $a"This book aims to make the case that the activities of transcribing, varying, and realizing music are all forms of interpretation - and, indeed, that performative interpretation overall can be seen as a paradigm of what interpretation is. Thom devotes a chapter to each of these three activities and, to make his philosophical points musically concrete, provides a wealth of illustrations ranging from classical music to jazz and involving performers as diverse as Toscanini and Billie Holiday."--BOOK JACKET.
650 0 $aMusic$xInterpretation (Phrasing, dynamics, etc.)$xPhilosophy and aesthetics.
650 0 $aMusic$xPerformance$xPhilosophy and aesthetics.
830 0 $aStudies of the Greater Philadelphia Philosophy Consortium.$0http://id.loc.gov/authorities/names/n84715395
852 00 $boff,mus$hML3853$i.T56 2007