MARC Record from marc_columbia

LEADER: 03352cam a22003974a 4500
001 6290052
005 20221122015431.0
008 060929t20072007nyuag bk 001 0 eng
010 $a 2006032572
020 $a1576471209 (alk. paper)
020 $a9781576471203 (alk. paper)
035 $a(OCoLC)ocm71842723
035 $a(OCoLC)71842723
035 $a(NNC)6290052
035 $a6290052
040 $aDLC$cDLC$dBAKER$dBTCTA$dC#P$dYDXCP$dOrLoB-B
043 $an-us---
050 00 $aML419.A75$bA83 2007
082 00 $a781.65092$222
100 1 $aAnderson, Gene Henry.$0http://id.loc.gov/authorities/names/n86802371
245 14 $aThe original Hot Five recordings of Louis Armstrong /$cby Gene H. Anderson ; edited by Michael J. Budds.
260 $aHilldale, N.Y. :$bPendragon Press,$c[2007], ©2007.
300 $axx, 258 pages :$billustrations, music ;$c26 cm +$e1 CD (digital ; 4 3/4 in).
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCMS sourcebooks in American music ;$vno. 3
504 $aIncludes bibliographical references and index.
505 00 $gCh. 1.$tIntroduction -- $gCh. 2.$tThe origin of the original Hot Five -- $gCh. 3.$tInto the studio -- $gCh. 4.$tInitial hits -- $gCh. 5.$tEarly fame -- $gCh. 6.$tThe "worst" of the Hot Fives -- $gCh. 7.$tSunset Cafe stomp -- $gCh. 8.$tModulation -- $gCh. 9.$tSavoy blues -- $gCh. 10.$tReflections -- $gApp 1.$tOriginal Hot Five copyright deposits -- $gApp 2.$tTwo memoirs -- $tJohnny St. Cyr : the original Hot Five -- $tEdward "Kid" Ory : The Hot Five sessions.
520 1 $a"Between 1925 and 1928 the Hot Five - the incomparable Louis Armstrong and four seasoned practitioners of the burgeoning jazz style - recorded thirty-three performances in Chicago for the OKeh label. Oddly enough, the quintet immortalized on vinyl with recent technology rarely performed as a unit in local nightspots. And yet, like other music now regarded as especially historic, their work in the studio summarized approaches of the past and set standards for the future. Remarkable both for popularity among the members of the public and for influence on contemporary musicians, these recordings helped make "Satchmo" a household name and ultimately its bearer an adored public figure. They showcased Armstrong's genius, notably his leadership in transforming the practice of jazz as ensemble improvisation into jazz as the art of the improvising soloist. In his study Professor Anderson - for the first time - provides a detailed account of the origins of this pioneering enterprise, relates individual pieces to existing copyright deposits, and contextualizes the music by offering a reliable timeline of Armstrong's professional activities during these years. All thirty-three pieces, moreover, are described in informed detail."--BOOK JACKET.
600 10 $aArmstrong, Louis,$d1901-1971$xAnalysis, appreciation.
650 0 $aJazz$y1921-1930$xHistory and criticism.
610 20 $aHot Five$vDiscography.
700 1 $aBudds, Michael J.,$d1947-2020.$0http://id.loc.gov/authorities/names/n78031067
830 0 $aCMS sourcebooks in American music ;$vno. 3.$0http://id.loc.gov/authorities/names/n2003072682
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip072/2006032572.html
852 00 $boff,mus$hML419.A75$iA83 2007$zAccompanied by 1 CD.