MARC Record from marc_columbia

LEADER: 03498cam a2200481 a 4500
001 6176186
005 20221122002827.0
008 050502r19931965ilua b 001 0 eng
010 $a 92031827
020 $a0226894878 (pbk.)
020 $a9780226894874 (pbk.)
035 $a(OCoLC)ocm26502001
035 $a(OCoLC)26502001
035 $a(NNC)6176186
035 $a6176186
040 $aDLC$cDLC$dBAKER$dNLGGC$dNPL$dBTCTA$dYDXCP$dOrLoB-B
043 $ae-fr---
050 00 $aN72.S6$bW53 1993
082 00 $a306.4/7$220
084 $a20.10$2bcl
100 1 $aWhite, Harrison C.$0http://id.loc.gov/authorities/names/n80015355
245 10 $aCanvases and careers :$binstitutional change in the French painting world : with a new foreword and a new afterword /$cHarrison C. White, Cynthia A. White.
250 $aUniversity of Chicago Press ed.
260 $aChicago :$bUniversity of Chicago Press,$c1993.
300 $axxii, 173 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aOriginally published : New York : Wiley, 1965.
504 $aIncludes bibliographical references and index.
505 20 $tForeword to the 1993 Edition /$rHarrison C. White -- $g1.$tRoots of the Nineteenth-Century Art Machine -- $tArtist as Learned Man: Triumph of the Royal Academy -- $tParis: The Magnet -- $tGenesis of the Dealers -- $tCritics' Emergence -- $tPersistence of Guild Patterns -- $g2.$tThe Machine in Flower -- $tGovernment Patronage and the New Elite -- $tTraining: Official Route to Success -- $tThe Education of Hippolyte Flandrin -- $tRealities of Training -- $tThe Salon: Proving Ground -- $tThe Prestige of French Painting -- $tA Small Army -- $tThe Home Guard -- $tDividing the Spoils -- $g3.$tA New System Emerges -- $tChange in Social Context -- $tChanging Techniques and the Artist's Role -- $tA Glut in Search of a Market -- $tCanvases vs. Careers -- $tSubject Matter, Styles, and Markets -- $tThe Dealer-Critic System -- $tIndividual Careers and the New System -- $tDecay of the Academic System -- $tMight-Have-Beens -- $tFrancois Bonvin: Between Two Systems -- $g4.$tThe Impressionists: Their Roles in the New System -- $t"For Fear of Remaining a Nonentity" -- $tOfficial Training - and Alternatives -- $tFirst Meetings and Working Relationships -- $tA Piece of a Meaning -- $tTo Instruct the Public: Critic as Theorist -- $tThe Critic as Publicist and Ideologue -- $tThe Dealer as Speculator -- $tThe Dealer as Patron -- $t"It's a Wonderful Business Being a Bourgeois - without a Cent!" -- $tManet's Sales -- $tPissarro's Finances -- $tMonet's Money -- $tAn Expendable Weapon: The Group Show -- $tImpressionists and the Dealer-Critic System.$tAfterword to the 1993 Edition /$rCynthia A. White.
650 0 $aArt and society$zFrance$xHistory$y19th century.
650 0 $aArt patronage$zFrance$xHistory$y19th century.
650 0 $aPainters$zFrance$xEconomic conditions.
650 0 $aPainters$zFrance$xSocial conditions.
650 17 $aSchilderkunst.$2gtt
650 17 $aSociale verandering.$2gtt
650 17 $aImpressionisten.$2gtt
650 17 $aPatronage.$2gtt
651 7 $a4.280.$2gtt
700 1 $aWhite, Cynthia A.$0http://id.loc.gov/authorities/names/n92081681
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0608/92031827-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0608/92031827-t.html
852 80 $bfax$hN6847$iW581