MARC Record from marc_columbia

LEADER: 03513cam a2200361Ia 4500
001 5690087
005 20221121202430.0
008 060622t20062006mnua bc 001 0 eng d
010 $a 2006921635
020 $a0816649049
035 $a(OCoLC)ocm70159296
035 $a(NNC)5690087
035 $a5690087
040 $aMAV$cMAV$dBAKER$dOrLoB-B
043 $an-us-mn
090 $aNE57$b.J74 2006
100 1 $aMichaux, Lisa Dickinson.$0http://id.loc.gov/authorities/names/no2006078283
245 10 $aHerschel V. Jones :$bthe imprint of a great collector /$cLisa Dickinson Michaux ; with contributions by Marla J. Kinney [and] Jane Immler Satkowski.
260 $aMinneapolis, Minn. :$bThe Minneapolis Institute of Arts,$c[2006], ©2006.
300 $a207 pages :$billustrations ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"This catalogue has been published in conjunction with the exhibition 'From Dürer to Cassatt : Five Centuries of Master Prints from the Jones Collection,' held at the Minneapolis Institute of Arts, May 20-September 17, 2006"--T.p. verso.
504 $aIncludes bibliographical references and index.
505 00 $tA splendid foundation /$rLisa Dickinson Michaux -- $tA monumental gesture /$rLisa Dickinson Michaux -- $tNotes to the reader -- $tA selection from the Herschel V. Jones gift of prints /$rLisa Dickinson Michaux, Marla J. Kinney and Jane Immler Satkowski -- $tEarly woodcuts and metalcuts -- $tPrintmaking in southern Europe before 1600 -- $tRenaissance printmaking in the north -- $tPrintmaking in the seventeenth and eighteenth centuries -- $tPrintmaking in the modern era.
520 1 $a"An illustrated guide to one of the most significant collections of prints in America, including works by such masters as Albrecht Durer, Rembrandt van Rijn, James McNeill Whistler, and Mary Cassatt." "In Herschel V. Jones: The Imprint of a Great Collector, Lisa Dickinson Michaux sheds new light on the creation of this extraordinary collection. Through in-depth essays, she reveals Jones's ambitious goals as well as his tenacity - he requested anonymity from the museum until he had "secured rare additional prints to fill in the gaps, making it a collection that represents the entire history of the graphic arts." Eventually Jones added nearly 700 prints to the collection." "In 1916 Herschel V. Jones purchased the esteemed print collection amassed by William M. Ladd of Portland, Oregon. Jones promptly gave more than 5,300 of these etchings, engravings, woodcuts, and lithographs to the recently opened Minneapolis Institute of Arts, thereby helping the museum establish one of the first public print departments in the nation." "This full-color volume reproduces more than 100 of the rarest and most highly prized prints from the Jones Collection and paints a picture both of the pioneering collectors Herschel V. Jones and William M. Ladd and of the history of print collecting in America at the turn of the twentieth century."--BOOK JACKET.
600 10 $aJones, Herschel V.$q(Herschel Vespasian),$d1861-1928$xArt collections$vExhibitions.
610 20 $aMinneapolis Institute of Arts$vExhibitions.
610 20 $aMinneapolis Institute of Arts$vCatalogs.
650 0 $aPrints$xPrivate collections$zMinnesota$zMinneapolis$vCatalogs.
700 1 $aKinney, Marla J.$0http://id.loc.gov/authorities/names/no2006078284
700 1 $aSatkowski, Jane.$0http://id.loc.gov/authorities/names/n95049616
852 80 $bfax$hNE400$iM58