| Record ID | marc_columbia/Columbia-extract-20221130-012.mrc:14755680:2571 |
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LEADER: 02571pam a22003374a 4500
001 5518949
005 20221121180741.0
008 051020t20062006kyu b s001 0 eng
010 $a 2005030639
015 $aGBA584005$2bnb
016 7 $a013306234$2Uk
020 $a0813123771 (hardcover : alk. paper)
024 3 $a9780813123776
035 $a(OCoLC)OCM61878851
035 $a(NNC)5518949
035 $a5518949
040 $aDLC$cDLC$dUKM$dBAKER$dC#P$dOrLoB-B
042 $apcc
050 00 $aPN1995.9.F54$bP55 2006
082 00 $a791.43/6552$222
245 04 $aThe philosophy of film noir /$cedited by Mark T. Conard ; foreword by Robert Porfirio.
260 $aLexington :$bUniversity Press of Kentucky,$c[2006], ©2006.
300 $axv, 248 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tNietzsche and the meaning and definition of noir /$rMark T. Conard --$tA darker shade : realism in neo-noir /$rJason Holt --$tMoral clarity and practical reason in film noir /$rAeon J. Skoble --$tCherchez la Femme Fatale : the mother of film noir /$rRead Mercer Schuchardt --$tFrom Sherlock Holmes to the hard-boiled detective in film noir /$rJerold J. Abrams --$tFilm noir and the meaning of life /$rSteven M. Sanders --$tThe horizons of disenchantment : film noir, Camus, and the vicissitudes of descent /$rAlan Woolfolk --$tSymbolism, meaning, and nihilism in Quentin Tarantino's Pulp fiction /$rMark T. Conard --$tFilm noir and the Frankfurt school : America as wasteland in Edgar Ulmer's Detour /$rPaul A. Cantor --$tKnowledge, morality, and tragedy in The killers and Out of the past /$rIan Jarvie --$tMoral man in the dark city : film noir, the postwar religious revival, and The accused /$rR. Barton Palmer --$tOn reason and passion in The Maltese Falcon /$rDeborah Knight --$tRide the pink horse : money, mischance, murder, and the monads of film noir /$rAlain Silver.
520 1 $a"The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from Albert Camus to Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic world."--BOOK JACKET.
650 0 $aFilm noir$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2009125551
700 1 $aConard, Mark T.,$d1965-$0http://id.loc.gov/authorities/names/n00105285
852 00 $bbar$hPN1995.9.F54$iP55 2006