| Record ID | marc_columbia/Columbia-extract-20221130-012.mrc:117759189:2823 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-012.mrc:117759189:2823?format=raw |
LEADER: 02823pam a22003734a 4500
001 5628854
005 20221121195244.0
008 051216s2006 nyua b 001 0 eng
010 $a 2005036728
020 $a0826418449 (hardcover : alk. paper)
020 $a0826418457 (pbk. : alk. paper)
024 3 $a9780826418449
024 3 $a9780826418456
035 $a(OCoLC)OCM62732631
035 $a(NNC)5628854
035 $a5628854
040 $aDLC$cDLC$dBAKER$dC#P$dOrLoB-B
042 $apcc
050 00 $aNX650.S68$bL33 2006
082 00 $a786.7$222
100 1 $aLaBelle, Brandon.$0http://id.loc.gov/authorities/names/no99006143
245 10 $aBackground noise :$bperspectives on sound art /$cBrandon LaBelle.
246 30 $aPerspectives on sound art
260 $aNew York :$bContinuum International,$c2006.
300 $axviii, 316 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 299-307) and index.
505 00 $tIntroduction : auditory relations -- $tFade in -- $gCh. 1.$tSociality of sound : John Cage and musical concepts -- $gCh. 2.$tExposing the sound object : Musique Concrete's sonic research -- $gCh. 3.$tAutomatic music : Group Ongaku's performative labors -- $gCh. 4.$tRhythms of chaos : happenings, environments, and fluxus -- $gCh. 5.$tMinimalist treatments : La Monte Young and Robert Morris -- $gCh. 6.$tConceptualizations : Michael Asher and the subject of space -- $gCh. 7.$tPerforming desire/performing fear : Vito Acconci and the power plays of voice -- $gCh. 8.$tFinding oneself Alvin Lucier and the phenomenal voice -- $gCh. 9.$tWord of mouth : Christof Migone's little manias -- $gCh. 10.$tTuning space : Max Neuhaus and site-specific sound -- $gCh. 11.$tOther architectures : Michael Brewster, Maryanne Amacher, and Bernhard Leitner -- $gCh. 12.$tComposing intensities : Iannis Xenakis's multimedia architectures -- $gCh. 13.$tSeeking ursound : Hildegard Westerkamp, Steve Peters, and the soundscape -- $gCh. 14.$tLanguage games : Yasunao Tone and the mechanics of information -- $gCh. 15.$tComplicating place : Bill Fontana and networking the soundscape -- $gCh. 16.$tInteractions : Achim Wollscheid's production of the local -- $gCh. 17.$tGlobal events : Atau Tanaka and network as instrument -- $gCh. 18.$tLive streams : Apo33 and multiplying place -- $tFade out -- $tConclusion : auditive pivot.
650 0 $aSound in art.$0http://id.loc.gov/authorities/subjects/sh97001016
650 0 $aSite-specific art.$0http://id.loc.gov/authorities/subjects/sh00000143
650 0 $aPerformance art.$0http://id.loc.gov/authorities/subjects/sh85099809
650 0 $aArts, Modern$y20th century.$0http://id.loc.gov/authorities/subjects/sh85008419
852 00 $bmus$hNX650.S68$iL33 2006