MARC Record from marc_columbia

LEADER: 05035cam a22003734a 4500
001 5465568
005 20221110042521.0
008 050509t20052005nyu b 001 0 eng
010 $a 2005013512
020 $a0820474908 (pbk. : alk. paper)
035 $a(OCoLC)ocm60373681
035 $a(NNC)5465568
035 $a5465568
040 $aDLC$cDLC$dC#P$dBAKER$dOrLoB-B
042 $apcc
050 00 $aML3880$b.L56 2005
082 00 $a781.66/117$222
100 1 $aLindberg, Ulf,$d1941-$0http://id.loc.gov/authorities/names/n94061875
245 10 $aRock criticism from the beginning :$bamusers, bruisers, and cool-headed cruisers /$cUlf Lindberg [and others].
260 $aNew York :$bPeter Lang,$c[2005], ©2005.
300 $avii, 369 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMusic/meanings,$x1531-6726 ;$vv. 5
504 $aIncludes bibliographical references (p. [345]-358) and index.
505 00 $gCh. 1.$tSome notes on criticism -- $g1.1.$tCriticism : an introduction -- $g1.2.$tMusic criticism before rock -- $g1.3.$tThe frames of rock criticism -- $gCh. 2.$tTheoretical perspectives -- $g2.1.$tHigh culture - low culture -- $g2.2.$tIntroducing Bourdieu -- $g2.3.$tApplying Bourdieu to the study of popular culture -- $g2.4.$tRock criticism as a legitimizing discursive practice -- $g2.5.$t"Authenticity" in rock critical discourse -- $g2.6.$tThe spatial distribution of rock and rock criticism -- $g2.7.$tThemes and questions for a historical study of rock criticism -- $gCh. 3.$tThe social and cultural background of rock and rock criticism in the 1960s and 1970s -- $g3.1.$tThe discontents of modernization : cultural release -- $g3.2.$tThe social background of rock culture and rock discourse -- $g3.3.$tThe aesthetic climate of the 1960s -- $gCh. 4.$tThe formative period : absolute beginners (1964-1967) -- $g4.1.$tIntroduction -- $g4.2.$tThe English "gentleman" critic : Chris Welch and the prehistory of rock criticism at Melody Maker -- $g4.3.$tThe serious fan : Paul Williams and the birth of rock criticism in the U.S. -- $g4.4.$t"Reporting the counterculture" : Richard Goldstein -- $g4.5.$tRock 'n' roll as "style" : Nik Cohn -- $gCh. 5.$tFounding fathers in the promised land (1967-1975) -- $g5.1.$tThe rock press 1967-1975 -- $g5.2.$tThe first dean of rock critics lays down the basic rules : Jon Landau -- $g5.3.$tTaste Inc. : Robert Christgau, the dean of New York rock critics -- $g5.4.$tOn a mystery train through the history of America and art : Greil Marcus -- $g5.5.$tHit man and radical : Dave Marsh -- $g5.6.$tThe holy madman of rock criticism : Lester Bangs -- $g5.7.$tOther voices of the late 1960s -- $g5.8.$tYoung men with a vocation : shaping a new field and inventing positions -- $gCh. 6.$tBritish brats (1972-1978) -- $g6.1.$tThe NME connection -- $g6.2.$tPunk : a moment of transition -- $tCoda : the boy looked at Johnny -- $gCh. 7.$tStyle it takes : criticism and new pop (1978-1985) -- $g7.1.$tThe social and cultural background of late 20th century rock criticism -- $g7.2.$tInto the pop process -- $g7.3.$tThe standards of postmodern pop sensibility -- $g7.4.$tMusic magazines in the early 1980s : new agents and growing competition -- $g7.5.$tThe critics -- $gCh. 8.$tAcademic leanings and consumer guides (1986-2004) -- $g8.1.$tA wealth of positions -- $g8.2.$tThe critics -- $g8.3.$tThe magazine market in the 1980s and 1990s -- $g8.4.$tThe state of the field since the turn of the century -- $gCh. 9.$tConcluding remarks -- $g9.1.$tThe field of rock criticism -- $g9.2.$tAesthetic beliefs and discursive practices.
520 1 $a"Rock Criticism from the Beginning is a wide-ranging exploration of the rise and development of rock criticism in Britain and the United States from the 1960s to the present. It chronicles the evolution of a new form of journalism, and the course by which writing on rock was transformed into a respected field of cultural production. The authors explore the establishment of magazines from Crawdaddy! and Rolling Stone to The Source, and from Melody Maker and New Musical Express to The Wire, while investigating the careers of well-known music critics like Robert Christgau, Greil Marcus, and Lester Bangs in the U.S., and Nik Cohn, Paul Morley, and Jon Savage in the U.K., to name just a few. While much has been written on the history of rock, this Bourdieu-inspired book is the first to offer a look at the coming of age of rock journalism, and the critics that opened up a whole new kind of discourse on popular music."--BOOK JACKET.
650 0 $aMusical criticism$y20th century.
650 0 $aRock music$xPeriodicals$xHistory.
650 0 $aPopular culture$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2008109786
700 1 $aLindberg, Ulf,$d1941-$0http://id.loc.gov/authorities/names/n94061875
830 0 $aMusic/meanings ;$vv. 5.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0512/2005013512.html
852 00 $bmus$hML3880$i.L56 2005