Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:200325194:3513 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:200325194:3513?format=raw |
LEADER: 03513cam a2200397 a 4500
001 5347257
005 20221110023354.0
008 040720s2005 onc b 001 0 eng
016 $a20049045490
020 $a080208737X (bound) :$c$60.00
020 $a0802085482 (pbk.) :$c$24.95
035 $a(OCoLC)ocm56065416
035 $a(NNC)5347257
035 $a5347257
040 $aNLC$cNLC$dC#P$dOCL$dVP@$dOrLoB-B
043 $an-cn-bc
050 4 $aHE8700.9.C3$bT55 2005
055 02 $aHE8700.9*
055 3 $aHE8700.9 C3$bT55 2005
055 00 $aHE8700 .9 C3$bT56 2005
082 0 $a302.23/45/0971133$222
100 1 $aTinic, Serra A.$q(Serra Ayse),$d1965-$0http://id.loc.gov/authorities/names/n88009239
245 10 $aOn location :$bCanada's television industry in a global market /$cSerra Tinic.
260 $aToronto ;$aBuffalo :$bUniversity of Toronto Press,$c2005.
300 $axvii, 207 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCultural spaces
504 $aIncludes bibliographical references and index.
505 00 $g1.$tLocal cultures and global quests : imagining the nation in Canadian broadcasting --$g2.$tConstructing the global city : contextualizing 'Hollywood north' --$g3.$tThe politics of 'space' and 'place' : mandating 'national' identity in Canadian media policy --$g4.$tGoing global : the disappearing domestic audience --$g5.$tMarginal amusements : television comedy and the salience of place in the Canadian sensibility --$g6.$tRegimes of community in 'Hollywood north' : reproducing local and global cultures in a televisual world.
520 1 $a"Film and television production are important components of the Canadian economy. In Vancouver, popular American television series like The X-Files and Canadian series like Da Vinci's Inquest have boosted the city's profile as a centre for international and domestic productions. Serra Tinic's On Location is the first empirical analysis of regional Canadian television producers in the context of developing global media markets." "Tinic observes that global television production in Vancouver has been a contradictory process that has led to the homogenization of culturally specific storylines, while simultaneously facilitating the development of new avenues for international ventures. The author explains how federal and regional network considerations, funding guidelines, and partnerships with international co-producers affect the capacity of Canadian television producers to negotiate culturally specific storylines in the development process. She further investigates the concepts of globalization, culture, and national identity and their relationship to broadcasting from the perspectives of members of the television industry themselves, highlighting the extent to which industry practices in Vancouver epitomize current trends in global television production. On Location fills a major gap in contemporary media and cultural studies debates that question the connections between the politics of place, culture, and commerce within the larger context of cultural globalization."--BOOK JACKET.
650 0 $aTelevision broadcasting$xSocial aspects$zBritish Columbia$zVancouver.
650 0 $aTelevision$xSocial aspects$zBritish Columbia$zVancouver.
650 0 $aGlobalization.$0http://id.loc.gov/authorities/subjects/sh99010179
830 0 $aCultural spaces.$0http://id.loc.gov/authorities/names/no2004059693
852 00 $boff,bus$hHE8700.9.C3$iT55 2005g