| Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:189470294:1773 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:189470294:1773?format=raw |
LEADER: 01773cam a22003494a 4500
001 5338587
005 20221110021906.0
008 041102s2005 nyua b 001 0 eng
010 $a 2004026136
020 $a1580931480
035 $a(OCoLC)ocm56911958
035 $a(NNC)5338587
035 $a5338587
040 $aDLC$cDLC$dYDX$dBUR$dOrLoB-B
042 $apcc
050 00 $aN4395$b.N49 2005
082 00 $a707/.5$222
100 1 $aNewhouse, Victoria.$0http://id.loc.gov/authorities/names/n88142000
245 10 $aArt and the power of placement /$cVictoria Newhouse.
260 $aNew York, N.Y. :$bMonacelli Press,$c2005.
300 $a303 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 284-296) and index.
505 00 $tThe complexities of context : how place affects perception -- $tArt or archaeology : how display defines the object -- $tJackson Pollock : how installation can affect modern art -- $tPlacing art.
520 1 $a"In this study author Victoria Newhouse examines the charged zone where spectator and art object meet. Long neglected by art books and museum catalogs the link between presentation and art is critical to the understanding of such objects."--BOOK JACKET.
650 0 $aArt$xExhibition techniques.$0http://id.loc.gov/authorities/subjects/sh87005073
650 0 $aMuseum techniques.$0http://id.loc.gov/authorities/subjects/sh85088722
650 0 $aSite-specific art.$0http://id.loc.gov/authorities/subjects/sh00000143
650 0 $aAesthetics.$0http://id.loc.gov/authorities/subjects/sh85001441
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip053/2004026136.html
852 80 $bfax$hN905$iN45