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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-011.mrc:160397412:4682
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:160397412:4682?format=raw

LEADER: 04682pam a22004094a 4500
001 5305340
005 20221110013733.0
008 040120s2004 nyua b 001 0 eng
010 $a 2004001267
015 $aGBA4-X1662
020 $a0415271290 (pbk. : alk. paper)
020 $a0415271282 (hardback : alk. paper)
024 $aV1-K55012
035 $a(OCoLC)ocm54079949
035 $a(NNC)5305340
035 $a5305340
040 $aDLC$cDLC$dYDX$dUKM$dOrLoB-B
042 $apcc
043 $anwtr---
050 00 $aGT4229.T7$bC37 2004
082 00 $a394.26972983$222
245 00 $aCarnival :$bculture in action : the Trinidad experience /$cedited by Milla Cozart Riggio.
260 $aNew York :$bRoutledge,$c2004.
300 $axvi, 322 pages :$billustrations ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aWorlds of performance
504 $aIncludes bibliographical references (p. 295-306) and index.
505 00 $tIntroduction : theorizing carnival -- $tCarnival (theory) after Bakhtin /$rRichard Schechner -- $tTime out or time in? : the urban dialectic of carnival /$rMilla Cozart Riggio -- $tTrinidad Carnival timeline /$rDawn K. Batson and Milla Cozart Riggio -- $g1.$tThe carnival story - then and now : introduction to Part I /$rMilla Cozart Riggio -- $g2.$tCannes brulees /$rJ. D. Elder -- $g3.$tThe Trinidad Carnival in the late nineteenth century /$rBridget Brereton -- $g4.$tThe Martinican : dress and politics in nineteenth-century Trinidad Carnival /$rPamela R. Franco -- $g5.$tIndian presence in carnival /$rBurton Sankeralli -- $g6.$tChinese in Trinidad Carnival /$rCarlisle Chang -- $g7.$t"Play mas" - play me, play we : introduction to Part II /$rMilla Cozart Riggio -- $g8.$tPeter Minshall : a voice to add to the song of the universe /$rRichard Schechner and Milla Cozart Riggio -- $g9.$tAmerindian masking in Trinidad's carnival : the House of Black Elk in San Fernando /$rHelene Bellour and Samuel Kinser -- $g10.$tThe blue devils of Paramin : tradition and improvisation in a village carnival band /$rMartin W. Walsh -- $g11.$tParamin blue devils : photographs by Jeffrey Chock -- $g12.$tThe jouvay popular theatre process : from the street to the stage /$rTony Hall -- $g13.$tCarnival people : photographs by Pablo Delano -- $g14.$tWe jamming it : introduction to Part III /$rMilla Cozart Riggio -- $g15.$tThe emancipation jouvay tradition and the almost loss of pan /$rEarl Lovelace -- $g16.$tVoices of steel : a historical perspective /$rDawn K. Batson -- $g17.$tNotes on pan /$rKim Johnson -- $g18.$tCalypso reinvents itself /$rGordon Rohlehr -- $g19.$tOn redefining the nation through party music /$rJocelyne Guilbault -- $g20.$tThe festival heard round the world : introduction to Part IV /$rMilla Cozart Riggio -- $g21.$tGlobalization in reverse : diaspora and the export of Trinidad Carnival /$rKeith Nurse -- $g22.$tCarnival in Leeds and London : making new black British subjectivities /$rGeraldine Connor and Max Farrar -- $g23.$t"New York equalize you?" : change and continuity in Brooklyn's Labor Day Carnival /$rPhilip Kasinitz -- $tTrinidad Carnival glossary /$rCarol Martin.
520 1 $a"Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a redefinition of "carnival" that is focused not on the social hierarchies it challenges, but on the values and sense of community that it affirms. This book details its new theory with reference to a carnival that is at once representative and distinctive: the Carnival of Trinidad - the most copied yet least studied major carnival in the world." "Milla Cozart Riggio has compiled a body of work that takes the reader on a journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an introductory essay. Carnival represents the first theoretical redefinition of its subject and will be essential reading for the study of Trinidad Carnival in particular and for the general study of the carnivalesque in performance."--BOOK JACKET.
650 0 $aCarnival$zTrinidad and Tobago$zTrinidad.
651 0 $aTrinidad$xSocial life and customs.
700 1 $aRiggio, Milla Cozart.$0http://id.loc.gov/authorities/names/n85269516
830 0 $aWorlds of performance.$0http://id.loc.gov/authorities/names/n93123538
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0413/2004001267.html
852 00 $bbar$hGT4229.T7$iC37 2004
852 00 $bglx$hGT4229.T7$iC37 2004