| Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:130957883:1783 |
| Source | marc_columbia |
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LEADER: 01783cam a2200301 a 4500
001 5276569
005 20221110005536.0
008 040802t20052005mnua b s001 0 eng
010 $a 2004018120
020 $a0816642648 (alk. paper)
020 $a0816642656 (pbk. : alk. paper)
035 $a(OCoLC)ocm56096270
035 $a(NNC)5276569
035 $a5276569
040 $aDLC$cDLC$dYDX$dOCLCQ$dNNC$dOrLoB-B
043 $an-us---
050 00 $aPN1995.9.E96$bA78 2005
082 00 $a794.43/611$222
100 1 $aArthur, Paul,$d1947-2008.$0http://id.loc.gov/authorities/names/n2004031435
245 12 $aA line of sight :$bAmerican avant-garde film since 1965 /$cPaul Arthur.
260 $aMinneapolis :$bUniversity of Minnesota Press,$c[2005], ©2005.
300 $axvi, 216 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 179-204) and index.
505 00 $g1.$tRoutines of emancipation : Jonas Mekas and alternative cinema in the ideology and politics of the sixties -- $g2.$tIdentity and/as moving image -- $g3.$tThe redemption of the city -- $g4.$tThe resurgence of history and the avant-garde essay film -- $g5.$tThe last of the last machine? -- $g6.$tThe western edge : oil of LA and the machined image -- $g7.$tSpringing tired chains : African American experimental film and video -- $g8.$tBodies, language, and the impeachment of vision : the avant-garde at fifty -- $g9.$t"I just pass my hands over the surface of things" : on the off the screen, circa 2003 -- $gApp.$tLines of sight (a travelogue).
650 0 $aExperimental films$zUnited States$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008120085
852 00 $bglx$hPN1995.9.E96$iA78 2005