MARC Record from marc_columbia

LEADER: 03784cam a22003494a 4500
001 5274891
005 20221110005212.0
008 050214s2005 maua b 001 0 eng
010 $a 2004022204
020 $a140511441X (alk. paper)
020 $a1405114428 (pbk. : alk. paper)
035 $a(DLC) 2004022204
035 $a(OCoLC)ocm56615745
035 $a(NNC)5274891
035 $a5274891
040 $aDLC$cDLC$dYDX$dDLC$dOrLoB-B
042 $apcc
050 00 $aPN1995$b.P4993 2005
082 00 $a791.43/01$222
245 04 $aThe philosophy of film :$bintroductory text and readings /$cedited by Thomas E. Wartenberg and Angela Curran.
260 $aMalden, Mass. :$bBlackwell Pub.,$c2005.
300 $axii, 308 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 295-297) and index.
505 00 $g1.$tProspects for film theory : a personal assessment /$rNoel Carroll -- $g2.$tCan scientific models of theorizing help film theory? /$rMalcolm Turvey -- $g3.$tPhilosophy of film as the creation of concepts /$rGilles Deleuze -- $g4.$tDefining the photoplay /$rHugo Munsterberg -- $g5.$tThe artistry of silent film /$rRudolf Arnheim -- $g6.$tCinematic realism /$rAndre Bazin -- $g7.$tFilm, photography, and transparency /$rKendall L. Walton -- $g8.$tNon-fictional cinematic artworks and knowledge /$rTrevor Ponech -- $g9.$tLa Politique des Auteurs /$rFrancois Truffaut -- $g10.$tAuteur theory and film evaluation /$rAndrew Sarris -- $g11.$tThe idea of film criticism /$rPauline Kael -- $g12.$tAgainst authorship /$rStephen Heath -- $g13.$tDVDs and the director's intentions /$rDeborah Parker and Mark Parker -- $g14.$tNarrative desire /$rGregory Currie -- $g15.$tSpectator emotion and ideological film criticism /$rCarl Plantinga -- $g16.$tEngaging characters /$rMurray Smith -- $g17.$tThe paradox of horror /$rNoel Carroll -- $g18.$tPrinciples of film narration /$rDavid Bordwell -- $g19.$tThe cinematic narrator /$rSeymour Chatman -- $g20.$tNarration as showing /$rGeorge M. Wilson -- $g21.$tThe politics of representation /$rMichael Ryan and Douglas Kellner -- $g22.$tBut would you want your daughter to marry one? : politics and race in Guess who's coming to dinner /$rThomas E. Wartenberg -- $g23.$tStella at the movies : class, critical spectatorship, and melodrama in Stella Dallas /$rAngela Curran -- $g24.$tKnowledge as transgression : It happened one night /$rStanley Cavell -- $g25.$tRealist horror /$rCynthia A. Freeland -- $g26.$tPhilosophy screened : experiencing The matrix /$rThomas E. Wartenberg -- $g27.$tVirtue and happiness in Groundhog Day /$rJoseph H. Kupfer.
520 1 $a"The Philosophy of Film draws readings from philosophy, film studies, and film criticism. Organized around a series of philosophic questions about film, it offers an accessible and engaging overview of the discipline. Readings from contrasting angles and points of view discuss the value of film theory, the nature of film narration, the debate on whether films can be socially critical, and the question of what we can learn from film." "Offering clear and helpful section introductions and thought-provoking reading questions, this book is the ideal primary textbook for undergraduate courses on the philosophy of film or philosophically oriented courses in film theory."--BOOK JACKET.
650 0 $aMotion pictures$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh2008108033
700 1 $aWartenberg, Thomas E.$0http://id.loc.gov/authorities/names/n88207751
700 1 $aCurran, Angela.$0http://id.loc.gov/authorities/names/n2004106632
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip051/2004022204.html
852 00 $bglx$hPN1995$i.P4993 2005