MARC Record from marc_columbia

LEADER: 02023cam a2200325 a 4500
001 4890296
005 20221109193853.0
008 040102s2004 mdu bq 001 0deng
010 $a 2004000020
020 $a0810849933 (alk. paper)
035 $a(OCoLC)ocm54006495
035 $a(NNC)4890296
035 $a4890296
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aPN1998.3.A44$bW55 2004
082 00 $a791.4302/33/092$222
100 1 $aWilliams, Tony,$d1946 January 11-$0http://id.loc.gov/authorities/names/n93032047
245 10 $aBody and soul :$bthe cinematic vision of Robert Aldrich /$cTony Williams.
260 $aLanham, Md. :$bScarecrow Press,$c2004.
300 $aix, 381 pages ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aFilmmakers series ;$vno. 110
504 $aIncludes filmography: p. 349-359.
504 $aIncludes bibliographical references (p. 361-372) and index.
520 1 $a"Body and Soul explores the work of Robert Aldrich, a producer and director responsible for several notable films, including The Flight of the Phoenix, The Dirty Dozen, Too Late the Hero, The Longest Yard, and What Ever Happened to Baby Jane? Tony Williams examines the relationship of Aldrich's films to the Cultural Front movement of the 1930s as well as to the blacklist of the 1950s. He also delineates Aldrich's attempts to follow the progressive ideals of such mentors as Jean Renoir, Lewis Milestone, and Charlie Chaplin." "From the noir classic Kiss Me Deadly to the controversial thriller Twilight's Last Gleaming, Body and Soul focuses on the dilemmas - both personal and political - that affect characters in many of Aldrich's most important films."--BOOK JACKET.
600 10 $aAldrich, Robert,$d1918-1983$xCriticism and interpretation.
830 0 $aFilmmakers series ;$vno. 110.$0http://id.loc.gov/authorities/names/n42011513
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0413/2004000020.html
852 00 $bglx$hPN1998.3.A44$iW55 2004