| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:400441245:2760 |
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LEADER: 02760cam a22004094a 4500
001 4391932
005 20221102205307.0
008 030805s2004 tnu b 001 0 eng
010 $a 2003017643
020 $a0826514405 (alk. paper)
024 $aR7-430029
035 $a(OCoLC)52838588
035 $a(OCoLC)ocm52838588
035 $a(DLC) 2003017643
035 $a(NNC)4391932
035 $a4391932
040 $aDLC$cDLC$dDLC$dOrLoB-B
042 $apcc
050 00 $aB945.H354$bD645 2004
082 00 $a111/.85/092$222
100 1 $aDombrowski, Daniel A.$0http://id.loc.gov/authorities/names/n80141598
245 10 $aDivine beauty :$bthe aesthetics of Charles Hartshorne /$cDaniel A. Dombrowski.
250 $a1st ed.
260 $aNashville, TN :$bVanderbilt University Press,$c2004.
300 $ax, 230 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aThe Vanderbilt library of American philosophy
504 $aIncludes bibliographical references (p. 211-225) and index.
505 00 $tAbbreviations of Works /$rCharles Hartshorne -- $g1.$tHistoric and Thematic Background -- $g2.$tBeauty as a Mean -- $g3.$tThe Aesthetic Attitude -- $g4.$tBirdsong -- $g5.$tSensation/Feeling -- $g6.$tPanexperientialism -- $g7.$tBeauty Merely in the Eye of the Beholder? -- $g8.$tThe Religious Dimensions of Aesthetic Experience -- $g9.$tAbsolute Beauty? -- $g10.$tDeath and Contributionism.
520 1 $a"Divine Beauty offers the first detailed explication of Hartshorne's aesthetic theory and its place within his theocentric philosophy." "As Daniel A. Dombrowski explains, Hartshorne advanced a neoclassical or process theism that contrasted with the "classical" theism defended by traditionalist Jews, Christians, and Muslim believers. His conception of God was dipolar, which could attribute to God certain qualities that traditionalists would exclude. For example, in Hartshorne's view, God can embrace excellent aspects of both activity and passivity, or of permanence and change; classical theists, on the other hand, exlude passivity and change from their conceptions." "Filling an important gap in our understanding of Hartshorne, Divine Beauty also makes a persuasive case for the superiority of his neoclassical theism over classical theism."--BOOK JACKET.
600 10 $aHartshorne, Charles,$d1897-2000$xAesthetics.
650 0 $aAesthetics, Modern$y20th century.$0http://id.loc.gov/authorities/subjects/sh85001474
830 0 $aVanderbilt library of American philosophy.$0http://id.loc.gov/authorities/names/n94110315
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip047/2003017643.html
852 00 $bglx$hB945.H354$iD645 2004
852 00 $buts$hB945.H354$iD645 2004