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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-009.mrc:382424513:2984
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:382424513:2984?format=raw

LEADER: 02984cam a2200337 a 4500
001 4358800
005 20221102202835.0
008 030905t20042004hiuaf b s001 0 eng
010 $a 2003019692
020 $a0824826132 (hbk. : alk. paper)
035 $a(OCoLC)53006800
035 $a(OCoLC)ocm53006800
035 $a(NNC)4358800
035 $a4358800
040 $aDLC$cDLC$dDLC$dOrLoB$dOrLoB-B
042 $apcc
043 $aa-vt---
050 00 $aND1014$b.T39 2004
082 00 $a759.9597$222
100 1 $aTaylor, Nora A.$0http://id.loc.gov/authorities/names/no96016955
245 10 $aPainters in Hanoi :$ban ethnography of Vietnamese art /$cNora Annesley Taylor.
260 $aHonolulu :$bUniversity of Hawai'i Press,$c[2004], ©2004.
300 $ax, 176 pages, 16 unnumbered pages of plates :$bcolor illustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 149-169) and index.
505 00 $g1.$tIntroduction: Sketches of Vietnamese Painting -- $g2.$tOrientalists or Occidentalists? "Indochinese" Artists under Colonialism -- $g3.$tNational Heroes and Artistic Heroes: Artists under the Revolution -- $g4.$tBui Xuan Phai and the Modern Masters of Vietnamese Painting -- $g5.$tPostwar Artists and Reformers -- $g6.$tWomen Artists -- $g7.$tThe Hanoi Art Market and the Global Artist -- $g8.$tConclusion: Past and Present in the Hanoi Art World.
520 1 $a"Drawing on interviews with artists, cultural officers, curators, art critics, and others in Hanoi, Taylor surveys the impact artists have had on intellectual life in Vietnam. The book shows them within their own complex community, one fraught with tensions, politicking, and favoritism, yet also a sense of belonging. It describes their education, the role of the government in the arts, the rise and fall of individual artists, their influence as active players in the politics of place and gender, the audience for their work, and how tourism and the international art market have influenced it. Painting is emerging as emblematic of Vietnam in the same way that textiles have come to represent Sumba (East Indonesia) and stone sculpture characterizes Cambodia; each has become simultaneously a marker of national identity and a commodity in a global trade network." "By presenting artists as individuals actively involved in national life, Painters in Hanoi offers a truly innovative perspective on modern Vietnamese history. The book's ethnographic approach, grounded in discussions with artists, critics, and collectors, sheds light on a diverse art world, making the work of significant interest to anthropologists and art historians as well as students and scholars concerned with interdisciplinary research on culture and society."--BOOK JACKET.
650 0 $aPainting, Vietnamese$y20th century.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip048/2003019692.html
852 80 $bfax$hND1013$iT18