MARC Record from marc_columbia

LEADER: 03241cam a2200373 a 4500
001 4339867
005 20221102200146.0
008 040122s2004 nyua b 001 0 eng
010 $a 2003043596
020 $a0521823889 (hardback)
020 $a0521530873 (pbk.)
035 $a(OCoLC)51728777
035 $a(OCoLC)ocm51728777
035 $a(NNC)4339867
035 $a4339867
040 $aDLC$cDLC$dDLC$dDNGA$dOrLoB-B
042 $apcc
043 $ae-uk---$an------$au-at---
050 00 $aN6768.5.C63$bC66 2003
082 00 $a709/.04/075$221
090 $aN6768.5.C63$bC66 2004
245 00 $aConceptual art :$btheory, myth, and practice /$cedited by Michael Corris.
260 $aNew York :$bCambridge University Press,$c2004.
300 $axiv, 365 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction: An Invisible College in an Anglo-American World /$rMichael Corris -- $gPt. I.$tArtist, Object, Spectator -- $tIntroductory note /$rMichael Corris -- $g1.$tThe Formalist Connection and Originary Myths of Conceptual Art /$rFrances Colpitt -- $g2.$tContent, Context, and Conceptual Art: Dan Graham's Schema (March 1966) /$rAlex Alberro -- $g3.$t"Almost not photography" /$rMelanie Marino -- $g4.$tSoft Talk/Soft-tape: The Early Collaborations of Ian Burn and Mel Ramsden /$rAnn Stephen -- $gPt. II.$tDisplay -- $tIntroductory /$rMichael Corris -- $g5.$tThe Second Degree: Working drawings and other visible things on paper not necessarily meant to be viewed as art /$rJames Meyer -- $g6.$tWhen Attitudes Become Form and the Contest over Conceptual Art's History /$rAlison M. Green -- $g7.$tUnderstanding Information /$rKen Allan -- $g8.$t"The Rotting Sack of Humanism": Robert Morris and Authorship /$rRichard J. Williams -- $gPt. III.$tRecording Information, Knowledge, and Technology -- $tIntroductory /$rMichael Corris -- $g9.$tAffluence, Taste, and the Brokering of Knowledge: Notes on the Social Context of Early Conceptual Art /$rRobert Hobbs -- $g10.$tHanne Darboven: Seriality and the Time of Solitude /$rBriony Fer -- $g11.$tArt in the Information Age: Technology and Conceptual Art /$rEdward A. Shanken -- $g12.$tThe Crux of Conceptualism: Conceptual Art, the Idea of Idea, and the Information Paradigm /$rJohanna Drucker -- $gPt. IV.$tThe Limit of the Social -- $tIntroductory /$rMichael Corris -- $g13.$tConceptual Work and Conceptual Waste /$rBlake Stimson -- $g14.$tConceptual Art and Imageless Truth /$rJohn Roberts -- $g15.$tArt & Language, New York, Discusses Its Social Relations in "The Lumpen-Headache" /$rChristopher Gilbert -- $g16.$tIan Burn's Conceptualism /$rAdrian Piper -- $tThroughout this volume, at opening of each part: Carole Conde and Karl Beveridge: Selected illustrations from ... It's Still Privileged Art (1976).
650 0 $aConceptual art$zGreat Britain.
650 0 $aConceptual art$zNorth America.
650 0 $aConceptual art$zAustralia.
650 0 $aArt, Modern$y20th century.$0http://id.loc.gov/authorities/subjects/sh85007805
700 1 $aCorris, Michael.$0http://id.loc.gov/authorities/names/no92016249
852 80 $bfax$hN6494 C62$iC755