MARC Record from marc_columbia

LEADER: 03457pam a22003494a 4500
001 4324964
005 20221102194731.0
008 030519t20032003mauaf bk 000 0deng
010 $a 2003011480
015 $aGBA3-U5590
020 $a1558494235
035 $a(OCoLC)ocm52347702
035 $a(NNC)4324964
035 $a4324964
040 $aDLC$cDLC$dYDX$dUKM$dOrLoB-B
042 $apcc
043 $an-us---
050 00 $aML420.H28$bA25 2003
082 00 $a781.62/13$221
100 1 $aHays, Lee,$d1914-1981.$0http://id.loc.gov/authorities/names/n85376991
245 10 $a"Sing out, warning! sing out, love!" :$bthe writings of Lee Hays /$cedited by Robert S. Koppelman ; foreword by Pete Seeger.
260 $aAmherst :$bUniversity of Massachusetts Press,$c[2003], ©2003.
300 $axxv, 233 pages, 12 unnumbered pages of plates :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [223]-225) and discography (p. [227]).
505 00 $tForeword /$rPete Seeger -- $tIntroduction: Lee Hays, American Culture, and the American Left -- $gI.$tThe 1930s: Early Years in the South, Awakening to Left-wing Culture, Organizing the Rural Southern Poor -- $tFrom "The Post-humous' Memoirs" -- $t"Wants Communist Poetry" -- $t"Let the Will ..." -- $t"The First Zipper Song" -- $tUntitled column on the power of hymn-singing -- $t"The Singing Preacher" -- $tUntitled column on Emma Dusenberry -- $gII.$tThe 1940s: Beginnings of a Performance Career, New York, the Almanac Singers, People's Songs, the Peekskill Riot, and the Formation of the Weavers -- $tFrom "The Post-humous' Memoirs" -- $tUntitled columns on the history of the Almanac Singers -- $t"A Sermon to Songwriters" -- $t"Walk Along Together" -- $t"The Rankin Tree" -- $t"Talking Bilbo" -- $t"Simon McKeever at Peekskill" -- $t"Hold the Line" -- $gIII.$tThe 1950s: The Weavers, Pop Charts to Blacklist -- $tFrom "The 'Post-humous' Memoirs -- $t"Wasn't That a Time!" -- $t"The Lonesome Traveler" (early draft) -- $t"Kisses Sweeter Than Wine" (early draft) -- $tOn testimony before the House Un-American Activities Committee -- $tExcerpts from testimony of August 16, 1955 -- $gIV.$tBeginnings of a Folk Music Revival -- $t"The Folk Song Bridge: A Personal Journey" -- $t"Edward, Edward" -- $t"How to Become a Folk Singer" -- $t"Let's Have More Common Sense about Folk Music" -- $t"On Woody" -- $gV.$tSome Literary Experiments -- $t"The Incidence of the Word 'Roll' in American Folk Music" -- $t"What's in a Rhyme?" -- $t"On the Banks of the Ohio" -- $t"Banquet and a Half" -- $t"Pour on Water" -- $t"Falling Down, Falling Down" -- $t"Booker Tee and Me" -- $tFrom "A Patchwork Ballad" -- $tStage monologues -- $t"The Sweet Little Babe" -- $t"Deadbuggy" -- $t"Only Friends and Lovers Should Wink" -- $t"Guess Who:" -- $t"Elegy" ("Farewell, Little Toe") -- $t"The Grateful Dead" -- $t"All Things but One" -- $t"In Dead Ernest" -- $t"Amicus Curiae" ("To Know Good Will") -- $tAdditional Writings /$rLee Hays.
600 10 $aHays, Lee,$d1914-1981.$0http://id.loc.gov/authorities/names/n85376991
650 0 $aFolk songs, English$xHistory and criticism.
650 0 $aFolk music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103909
700 1 $aKoppelman, Robert S.$q(Robert Steven),$d1959-$0http://id.loc.gov/authorities/names/n95031435
852 00 $boff,mus$hML420.H28$iA25 2003