| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:280275201:3854 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:280275201:3854?format=raw |
LEADER: 03854cam a2200589Ma 4500
001 4248022
005 20220625225315.0
006 m o d
007 cr cn|||||||||
008 000807s1998 okua ob s001 0 eng d
010 $z 98005361
035 $a(OCoLC)ocm44961205
035 $a(NNC)4248022
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020 $a0585170207$q(electronic bk.)
020 $a9780585170206$q(electronic bk.)
020 $z0806130512$q(alk. paper)
020 $z0806133813
035 $a(OCoLC)44961205$z(OCoLC)961640617$z(OCoLC)962712035$z(OCoLC)970726643$z(OCoLC)984873862$z(OCoLC)1007387997$z(OCoLC)1038597328$z(OCoLC)1052968922$z(OCoLC)1105738563$z(OCoLC)1123225196$z(OCoLC)1127934858$z(OCoLC)1135450729$z(OCoLC)1150812594
043 $an------
050 4 $aE98.M63$bO9 1998eb
072 7 $aHIS$x028000$2bisacsh
082 04 $a970/.00497$221
049 $aZCUA
100 1 $aOwens, Louis.
245 10 $aMixedblood messages :$bliterature, film, family, place /$cby Louis Owens.
260 $aNorman :$bUniversity of Oklahoma Press,$c©1998.
300 $a1 online resource (xvi, 263 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAmerican Indian literature and critical studies series ;$vv. 26
504 $aIncludes bibliographical references (pages 245-252) and index.
588 0 $aPrint version record.
520 $aStudies how the Native Americans' identities and relationship with nature are depicted in literature and film, and discusses how Native Americans are portrayed in literature written by different ethnic groups. - Provided by publisher.
505 0 $a|t Preface: Crow Love -- |g pt. 1. |t Mixedbloods and Mixed Messages: Adventures in Native American Literature. |g 1. |t Columbus Had It Coming: Crossbloods, Crossreading, and Cultural Survival. |g 2. |t Beads and Buckskin: Reading Native American Literature. |g 3. |t Mapping the Mixedblood: Frontier and Territory in Native America. |g 4. |t Multicultural Tourism: Native American Literature, Canon, and Campus. |g 5. |t "The Song Is Very Short": Native American Literature and Literary Theory. |g 6. |t Through an Amber Glass: Chief Doom and the Native American Novel Today. |g 7. |t "Grinning Aboriginal Demons": Gerald Vizenor's Bearheart and the End of Tragedy -- |g pt. 2. |t Filming the Territory. |g 8. |t The Invention of John Wayne. |g 9. |t Apocalypse at the Two-Socks Hop: Dancing with the Vanishing American.
650 0 $aIndians of North America$xMixed descent.
650 0 $aIndians of North America$xEthnic identity.
650 0 $aIndians in motion pictures.
650 0 $aIndians in literature.
650 6 $aIndiens d'Amérique au cinéma.
650 7 $aHISTORY$xNative American.$2bisacsh
650 7 $aIndians in literature.$2fast$0(OCoLC)fst00969419
650 7 $aIndians in motion pictures.$2fast$0(OCoLC)fst00969423
650 7 $aIndians of North America$xEthnic identity.$2fast$0(OCoLC)fst00969733
650 7 $aIndians of North America$xMixed descent.$2fast$0(OCoLC)fst00969853
655 4 $aElectronic books.
776 08 $iPrint version:$aOwens, Louis.$tMixedblood messages.$dNorman : University of Oklahoma Press, ©1998$z0806130512$w(DLC) 98005361$w(OCoLC)38430469
830 0 $aAmerican Indian literature and critical studies series ;$vv. 26.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4248022$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS