| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:252676147:4787 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:252676147:4787?format=raw |
LEADER: 04787cam a2200793Ia 4500
001 4241101
005 20221111173132.0
006 m o d
007 cr cn|||||||||
008 030611s2001 enk ob 001 0 eng d
010 $z 2001025629
035 $a(OCoLC)ocm52413181
035 $a(NNC)4241101
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020 $a0511018193$q(electronic bk.)
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100 1 $aIzod, John,$d1940-
245 10 $aMyth, mind, and the screen :$bunderstanding the heroes of our times /$cJohn Izod.
260 $aCambridge, UK ;$aNew York :$bCambridge University Press,$c2001.
300 $a1 online resource (xi, 237 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
490 1 $aCambridge studies in criminology
504 $aIncludes bibliographical references (pages 223-229) and index.
505 0 $a1. Jungian theory, textual analysis and audience play -- 2. Archetypal images: signification and the psyche -- 3. Archetypal images: symbols and the cultural unconscious -- 4. The Piano, the animus and colonial experience -- 5. The pop star as icon. Androgyny and stardom: cultural meanings of Michael Jackson. A goddess who comes? Madonna as trickster -- 6. The quest of a female hero: The Silence of the Lambs -- 7. Television sport and the sacrificial hero -- 8. The polycentred self: The Passion of Darkly Noon -- 9. Haunted: searching for the whole self -- 10. Transforming the final ghost: the god within -- Glossary of Jungian and related terms.
588 0 $aPrint version record.
520 $aMyth, Mind and the Screen is a systematic attempt to apply Jungian theory to the analysis of films (including 2001: A Space Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport.
546 $aEnglish.
650 0 $aMotion pictures$xPsychological aspects.
650 0 $aTelevision$xPsychological aspects.
650 6 $aCinéma$xAspect psychologique.
650 6 $aTélévision$xAspect psychologique.
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
650 7 $aMotion pictures$xPsychological aspects.$2fast$0(OCoLC)fst01027364
650 7 $aTelevision$xPsychological aspects.$2fast$0(OCoLC)fst01146594
650 7 $aPsychoanalyse$2gnd
650 7 $aFilmanalyse$2gnd
650 17 $aFilms.$2gtt
650 17 $aPsychologische aspecten.$2gtt
650 7 $aFernsehen$2gnd
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aIzod, John, 1940-$tMyth, mind, and the screen.$dCambridge, UK ; New York : Cambridge University Press, 2001$z0521792533$w(DLC) 2001025629$w(OCoLC)46422257
830 0 $aCambridge studies in criminology (Cambridge University Press)
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4241101$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS