| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:245012756:4770 |
| Source | marc_columbia |
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LEADER: 04770cam a2200709Ia 4500
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245 00 $aRe-viewing fascism :$bItalian cinema, 1922-1943 /$cedited by Jacqueline Reich and Piero Garofalo.
260 $aBloomington :$bIndiana University Press,$c©2002.
300 $a1 online resource (xv, 368 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 341-351) and index.
505 0 $aMussolini at the movies : fascism, film, and culture / Jacqueline Reich -- Dubbing l'arte muta : poetic layerings around Italian cinema's transition to sound / Giorgio Bertellini -- Intimations of neo-realism in the fascist Ventennio / ennio di Nolfo -- Placing cinema, fascism, and the nation in a diagram of Italian modernity / James Hay -- Sex in the cinema : regulation and transgression in Italian films, 1930-1943 / David Forgacs -- Luchino Visconti's (homosexual) Ossessione / William Van Watson -- Ways of looking in black and white : female spectatorship and the miscege-national body in Sotto la croce del sud / Robin Pickering-Iazzi -- Seeing red : the Soviet influence on Italian cinema in the thirties / Piero Garofalo -- Theatricality and impersonation : the politics of style in the cinema of the Italian fascist era / Marcia Landy -- Shopping for autarchy : fascism and reproductive fantasy in Mario Camerini's Grandi magazzini / Barbara Spackman -- The last film festival : the Venice Biennale goes to war / Marla Stone -- Film stars and society in fascist Italy / Stephen Gundle.
520 $aWhen Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism -- ties that many scholars previous.
588 0 $aPrint version record.
650 0 $aMotion pictures$zItaly$xHistory.
650 0 $aFascism and motion pictures$zItaly$xHistory.
650 6 $aCinéma$zItalie$xHistoire.
650 6 $aFascisme et cinéma$zItalie$xHistoire.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xGeneral.$2bisacsh
650 7 $aFascism and motion pictures.$2fast$0(OCoLC)fst00921579
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
650 17 $aFilmkunst.$2gtt
650 17 $aFascisme.$2gtt
651 7 $aItalië$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aReich, Jacqueline,$d1965-
700 1 $aGarofalo, Piero.
776 08 $iPrint version:$tRe-viewing fascism.$dBloomington : Indiana University Press, ©2002$z0253340454$w(DLC) 2001003249$w(OCoLC)47075300
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4239144$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS