It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-009.mrc:235998320:2691
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:235998320:2691?format=raw

LEADER: 02691cam a22003374a 4500
001 4229011
005 20221027061746.0
008 030319s2003 ctu b 001 0 eng
010 $a 2003048238
015 $aGBA3-V4734
020 $a027598057X (alk. paper)
035 $a(OCoLC)ocm51968877
035 $a(NNC)4229011
035 $a4229011
040 $aDLC$cDLC$dUKM$dC#P$dOrLoB-B$dNNC
042 $apcc
043 $an-us---
050 00 $aML3918.M87$bW35 2003
082 00 $a306.4/84$221
100 1 $aWalsh, David F.$q(David Frederick),$d1942-$0http://id.loc.gov/authorities/names/n2003073051
245 10 $aMusical theater and American culture /$cDavid Walsh and Len Platt.
260 $aWestport, Conn. :$bPraeger,$c2003.
300 $axiii, 200 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [187]-191) and index.
505 00 $tIntroduction: Analyzing the Musical Sociologically --$g1.$tThe Genesis of the Musical in American Popular Culture --$tBallad Opera --$tBurlesque --$tVaudeville --$tThe Minstrel Show --$tMelodrama --$tThe Black Crook (1866) --$tRevue --$tOperetta --$tMusical Comedy --$g2.$tBroadway: The Roaring Twenties, Black Culture, and the Song-and-Dance Musical --$tFinding Its Feet: The Establishment of the Musical as a Music Theater - Operetta, Musical Comedy, and the Broadway Musical --$tBlack Culture and Popular Song and Dance --$tBlack Culture, Jewish Culture, and the Musical --$tThe Jazz Age and the Song-and-Dance Musical --$g3.$tThe Depression and the Broadway Musical --$tContexts --$tResponses: Escapism and Critique --$g4.$tBroadway: The Book Musical and the End of Ideology --$tAmerica Triumphant and the End of Ideology --$tAmericana: Showboat and Oklahoma --$tIn Pursuit of the Good: Carousel and Guys and Dolls --$tFrom Liebestod to Melting Pot: West Side Story and After --$tThe Finale of the Classic Broadway Musical --$g5.$tBroadway and After: The Transformation of the Musical --$tThe Fragmented Musical and the Postmodern World --$tFrom Social Realism to Concept in the Musical --$tStephen Sondheim and the Deconstruction of "Happy Ever After" --$tThe Rock Musical --$g6.$tModernity, Globalization, and the Megamusical --$tThe Megamusical as Modern Political Text, Myth, and Fable: The Case of Evita --$g7.$tOn and Off Broadway: A Postscript --$gApp.$tMusicals Referred to in the Text with Main Composers, Lyricists, and Book Writers.
650 0 $aMusicals$xSocial aspects$zUnited States.
700 1 $aPlatt, Len.$0http://id.loc.gov/authorities/names/no99034726
852 00 $bmus$hML3918.M87$iW35 2003
852 00 $bbar$hML3918.M87$iW35 2003