Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:218722548:4400 |
Source | marc_columbia |
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LEADER: 04400pam a22003374a 4500
001 4211022
005 20221027055329.0
008 030214t20032003njua b 001 0 eng
010 $a 2003044496
015 $aGBA3-V2895
020 $a0691089663 (acid-free paper)
035 $a(OCoLC)ocm51728809
035 $a(NNC)4211022
035 $a4211022
040 $aDLC$cDLC$dYDX$dUKM$dOrLoB-B
042 $apcc
050 00 $aML60$b.B12 2003
082 00 $a780$221
100 1 $aBabbitt, Milton,$d1916-2011.$0http://id.loc.gov/authorities/names/n81144515
240 10 $aEssays$0http://id.loc.gov/authorities/names/n2003072216
245 14 $aThe collected essays of Milton Babbitt /$cedited by Stephen Peles [and others].
260 $aPrinceton :$bPrinceton University Press,$c[2003], ©2003.
300 $axi, 517 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tThe String Quartets of Bartok (1949) -- $tReview of Leibowitz, Schoenberg et son ecole (1950) -- $tReview of Le Systeme Dodecaphonique (1950) -- $tReview of Salzer, Structural Hearing (1952) -- $tTintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartok) (1953) -- $tMusical America's Several Generations (1954) -- $tSome Aspects of Twelve-Tone Composition (1955) -- $tThe Composer as Specialist (1958) -- $tTwelve-Tone Invariants as Compositional Determinants (1960) -- $tThe Revolution in Sound: Electronic Music (1960) -- $tPast and Present Concepts of the Nature and Limits of Music (1961) -- $tSet Structure as a Compositional Determinant (1961) -- $tTwelve-Tone Rhythmic Structure and the Electronic Medium (1962) -- $tReply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963) -- $tRemarks on the Recent Stravinsky (1964) -- $tThe Synthesis, Perception, and Specification of Musical Time (1964) -- $tAn Introduction to the R.C.A. Synthesizer (1964) -- $tThe Structure and Function of Musical Theory (1965) -- $tThe Use of Computers in Musicological Research (1965) -- $tEdgard Varese: A Few Observations of His Music (1966) -- $tThree Essays on Schoenberg (1968) -- $tOn Relata I (1970) -- $tContribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970) -- $tMemorial for Matyas Seiber (1970) -- $tStravinsky Memorial (1971) -- $tContemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972) -- $tMemorial for Stefan Wolpe (1972) -- $tSince Schoenberg (1974) -- $tCelebrative Speech for the Schoenberg Centennial (1976) -- $tResponses: A First Approximation (1976) -- $tIntroduction to Marion Bauer, Twentieth Century Music (1978) -- $tForeword to David Epstein, Beyond Orpheus (1979) -- $tMemorial for Ben Weber (1979) -- $tMemorial for Robert Miller (1981) -- $tThe More than the Sounds of Music (1984) -- $tI Remember Roger (1985) -- $t"All the Things They Are": Comments on Kern (1985) -- $tMemorial for Hans Keller (1986) -- $tStravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987) -- $tOn Having Been and Still Being an American Composer (1989) -- $tA Life of Learning (1991) -- $tBrave New Worlds (1994) -- $tMy Vienna Triangle (1999).
520 1 $a"In essays and public addresses spanning fifty years, Milton Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, only a small handful of figures have produced work of comparable stature. Babbitt's writings are not only an invaluable testimony to his thinking - a priceless primary source for the intellectual and cultural history of the second half of the twentieth century - but also a remarkable achievement in their own right." "This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written. The result is complete, authoritative, and fully accessible - the definitive source of Babbitt's influential ideas."--BOOK JACKET.
650 0 $aMusic$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh85088794
700 1 $aPeles, Stephen.$0http://id.loc.gov/authorities/names/n85294106
852 00 $bmus$hML60$i.B12 2003