MARC Record from marc_columbia

LEADER: 04392mam a2200421 a 4500
001 3042175
005 20221019203743.0
008 010119s2001 onca b 000 0 eng d
016 $a20019300867
020 $a0968296939 (pbk.) :$c$29.95
035 $a(OCoLC)ocm46627545
035 $9ATK5393CU
035 $a(NNC)3042175
035 $a3042175
040 $aCaOTU$cNLC$dNNC$dOrLoB-B
043 $aa-ja---
055 02 $aPN1998.3*
055 3 $aPN1998.3 I25$bK66 2001
055 00 $aPN1998 .3 I25$bK66 2001
082 0 $a791.43/0233/092$221
245 00 $aKon Ichikawa /$cedited by James Quandt.
260 $aToronto :$bCinematheque Ontario,$c2001.
300 $a445 pages :$billustrations, portraits ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCinémathèque Ontario monographs ;$v4
504 $aIncludes bibliographical references.
505 00 $tIntroduction: Ichikawa the Innovator, or the Complicated Case of Kon Ichikawa /$rJames Quandt --$tKon Ichikawa /$rYukio Mishima --$tBlown by the Wind /$rKon Ichikawa --$tBeginnings /$rKon Ichikawa and Yuki Mori --$tKon Ichikawa /$rAudie Bock --$tThe Several Sides of Kon Ichikawa /$rDonald Richie --$tThe Skull Beneath the Skin /$rTom Milne --$tInterview with Kon Ichikawa /$rJoan Mellen --$tKon Ichikawa: Black Humour as Therapy /$rMax Tessier --$tNostalgia: An Interview with Kon Ichikawa /$rMax Tessier --$tKon Ichikawa's Method /$rYasuzo Masumura --$tKon Ichikawa /$rTadao Sato --$tBetween Literature and Cinema /$rKon Ichikawa --$tThe Modern Outcast State: Ichikawa's Hakai /$rKeiko I. McDonald --$tA Story of Cruel Youth: Kon Ichikawa's Enjo and the Art of Adapting in 1950s Japan /$rDennis Washburn --$tContemporary Japan as Punishment Room in Kon Ichikawa's Shokei no heya /$rMichael Raine --$tThe "Sun Tribe" and Their Parents /$rNatto Wada --$tViewer's View of Kagi /$rKeiko I. McDonald --
505 80 $tFires on the Plain: The Human Cost of the Pacific War /$rWilliam B. Hauser --$tThe Summer of 1945 /$rKon Ichikawa --$tThe Ends of Adaptation: Kon Ichikawa and the Politics Cinematization /$rEric Cazdyn --$tOtoto /$rKon Ichikawa and Yuki Mori --$tA Record of Ototo /$rKon Ichikawa --$tTen Dark Women /$rDonald Richie --$tThe Reality of 1961 /$rKon Ichikawa --$tBeing Two Isn't Easy: The Uneasiness of the Family in 1960s Tokyo /$rCatherine Russell --$tThe Uniqueness of Kon Ichikawa: A Symposium /$rKon Ichikawa, Akira Iwasaki and Kyushiro Kusakabe --$tPlaying with Form: Ichikawa's An Actor's Revenge and the "Creative Print" /$rLinda C. Ehrlich --$tInscribing the Subject: The Melodramatization of Gender in An Actor's Revenge /$rScott Nygren --$tCinemaScope and Me /$rKon Ichikawa --$tEscaping Japan: The Quest in Kon Ichikawa's Alone on the Pacific /$rBrent Kliewer --$tTokyo Olympiad: A Symposium /$rEric Cazdyn, Abe Mark Nornes and James Quandt /$r[et al.] --$tIchikawa and the Wanderers /$rWilliam Johnson --
505 80 $tThe Inugami Family /$rKon Ichikawa and Yuki Mori --$tAdapting the The Makioka Sisters /$rKathe Geist --$tSpace and Narrative in The Makioka Sisters /$rDavid Desser --$tThe Industrial Ichikawa: Kon Ichikawa after 1976 /$rAaron Gerow --$tPauline Kael on Kon Ichikawa /$rPauline Kael --$tKon Ichikawa at Eighty-six: A "Mid-Career" Interview /$rMark Schilling --$tSelected Bibliography /$rRobin MacDonald.
520 1 $a"Kon Ichikawa has long been internationally acknowledged as one of the most important and prolific masters of Japanese cinema.
520 8 $aCelebrated for his many adaptations of Japanese novels, such as Fires on the Plain, Harp of Burma, Kagi, Conflagration, and The Makioka Sisters, Ichikawa is an artist with an astounding command of many genres, forms and tones, from ferociously humanist war films to sophisticated social satires, formalist documentaries (the acclaimed Tokyo Olympiad) to extravagant period pieces (An Actor's Revenge)."--BOOK JACKET.
600 10 $aIchikawa, Kon,$d1915-2008$xCriticism and interpretation.
600 16 $aIchikawa, Kon,$d1915-$xCritique et interprétation.
700 1 $aQuandt, James,$d1956-$0http://id.loc.gov/authorities/names/no00044082
710 2 $aCinematheque Ontario.$0http://id.loc.gov/authorities/names/n97041067
830 0 $aCinémathèque Ontario monographs ;$vno. 4.$0http://id.loc.gov/authorities/names/no99084992
852 00 $bglx$hPN1998.3 I25$iK66 2001