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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-007.mrc:433695309:2913
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:433695309:2913?format=raw

LEADER: 02913mam a2200409 a 4500
001 3425362
005 20221020071930.0
008 030310s2003 ncua b s001 0 eng
010 $a 2002009070
020 $a0807827606 (cloth : alk. paper)
035 $a(OCoLC)50006525
035 $a(OCoLC)ocm50006525
035 $9AVP6256CU
035 $a(NNC)3425362
035 $a3425362
040 $aDLC$cDLC$dDLC$dNNWhit$dOrLoB-B
043 $an-us---
050 00 $aN8232$b.H37 2003
082 00 $a704.9/49305896073$221
100 1 $aHarris, Michael D.,$d1948-$0http://id.loc.gov/authorities/names/n92114786
245 10 $aColored pictures :$brace and visual representation /$cMichael D. Harris ; foreword by Moyo Okediji.
260 $aChapel Hill :$bUniversity of North Carolina Press,$c2003.
263 $a0304
300 $a281 pages :$bcolor illustrations ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [259]-274) and index.
505 00 $tForeword /$rMoyo Okediji --$tIntroduction. Black: The Discredited Signifier/Signified --$g1.$tConstructing and Visualizing Race --$g2.$tThe Nineteenth Century: Imaged Ideology --$g3.$tAunt Jemima, the Fantasy Black Mammy/Servant --$g4.$tJezebel, Olympia, and the Sexualized Woman --$g5.$tColor Lines: Mapping Color Consciousness in the Art of Archibald J. Motley Jr. --$g6.$tThe Language of Appropriation: Fantasies and Fallacies --$g7.$tTurning In from the Periphery.
520 1 $a"In this book, artist and art historian Michael Harris investigates the role of visual representation in the construction of black identities, both real and imagined, in the United States. He focuses particularly on how African American artists have responded to - and even used - stereotypical images in their own works.".
520 8 $a"Colored Pictures traces black artists' responses to racist imagery across two centuries, from early works by Henry O. Tanner and Archibald J. Motley Jr., in which African Americans are depicted with dignity, to contemporary works by Kara Walker and Michael Ray Charles, in which derogatory images are recycled to controversial effect. The work of these and other artists - such as John Biggers, Jeff Donaldson, Betye Saar, Juan Logan, and Camille Billops - reflects a wide range of perspectives.
520 8 $aExamined together, they offer compelling insight into the profound psychological impact of visual stereotypes on the African American community."--BOOK JACKET.
650 0 $aAfrican Americans in art.$0http://id.loc.gov/authorities/subjects/sh85002006
650 0 $aAfrican American art.$0http://id.loc.gov/authorities/subjects/sh85001790
650 0 $aAfrican Americans$xRace identity.$0http://id.loc.gov/authorities/subjects/sh85001973
852 80 $bfax$hN6538$iH24
852 00 $bbar$hN8232$i.H37 2003
852 00 $bmil$hN8232$i.H37 2003