| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:403174380:2472 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:403174380:2472?format=raw |
LEADER: 02472mam a22003254a 4500
001 3392868
005 20221020063325.0
008 020715t20032003paua b 001 0 eng
010 $a 2002074032
020 $a0812236939 (cloth : alk. paper)
020 $a0812218299 (pbk. : alk. paper)
035 $a(OCoLC)ocm50271327
035 $9AVH1006CU
035 $a3392868
040 $aDLC$cDLC$dC#P$dXIM$dOrLoB-B
042 $apcc
050 00 $aBF275$b.S46 2003
082 00 $a152/.82$221
245 00 $aSensible flesh :$bon touch in early modern culture /$cedited by Elizabeth D. Harvey.
260 $aPhiladelphia :$bUniversity of Pennsylvania Press,$c[2003], ©2003.
300 $avi, 320 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [255]-307) and index.
505 00 $g1.$tIntroduction: The "Sense of All Senses" /$rElizabeth D. Harvey -- $g2.$tAnxious and Fatal Contacts: Taming the Contagious Touch /$rMargaret Healy -- $g3.$t"Handling Soft the Hurts": Sexual Healing and Manual Contact in Orlando Furioso, The Faerie Queene, and All's Well That Ends Well /$rSujata Iyengar -- $g4.$tThe Subject of Touch: Medical Authority in Early Modern Midwifery /$rEve Keller -- $g5.$tThe Touching Organ: Allegory, Anatomy, and the Renaissance Skin Envelope /$rElizabeth D. Harvey -- $g6.$tAs Long as a Swan's Neck? The Significance of the "Enlarged" Clitoris for Early Modern Anatomy /$rBettina Mathes -- $g7.$tNew World Contacts and the Trope of the "Naked Savage" /$rScott Manning Stevens -- $g8.$tNoli me tangere: Colonialist Imperatives and Enclosure Acts in Early Modern England /$rElizabeth Sauer and Lisa M. Smith -- $g9.$tActing with Tact: Touch and Theater in the Renaissance /$rCarla Mazzio --
505 80 $g10.$tLiving in a Material World: Margaret Cavendish's The Convent of Pleasure /$rMisty G. Anderson -- $g11.$tTouch in the Hypnerotomachia Poliphili: The Sensual Ethics of Architecture /$rRebekah Smick -- $g12.$tThe Touch of the Blind Man: The Phenomenology of Vividness in Italian Renaissance Art /$rJodi Cranston -- $g13.$tAfterword: Touching Rhetoric /$rLynn Enterline.
650 0 $aTouch.$0http://id.loc.gov/authorities/subjects/sh85136234
650 0 $aSenses and sensation.$0http://id.loc.gov/authorities/subjects/sh85120047
700 1 $aHarvey, Elizabeth D.$0http://id.loc.gov/authorities/names/n88174101
852 00 $bsci$hBF275$i.S46 2003