MARC Record from marc_columbia

LEADER: 03271mam a22003494a 4500
001 3387521
005 20221020062318.0
008 020226s2002 mducfg b 001 0 eng
010 $a 2002003145
020 $a0810843250 (cloth : alk. paper)
035 $a(OCoLC)ocm49225423
035 $9AVG2369CU
035 $a3387521
040 $aDLC$cDLC$dC#P$dNNC$dOrLoB-B
041 1 $aeng$hita
042 $apcc
043 $aa-ja---
050 00 $aML240.5$b.G35 2002
082 00 $a780/.952/0904$221
100 1 $aGalliano, Luciana,$d1953-$0http://id.loc.gov/authorities/names/n2002069601
245 10 $aYōgaku :$bJapanese music in the twentieth century /$cLuciana Galliano ; translated by Martin Mayes.
250 $a[English ed.].
260 $aLanham, Md. :$bScarecrow Press,$c2002.
300 $axvi, 357 pages, 8 unnumbered pages of plates :$bportraits, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"A revised and exapanded edition of Yōgaku : percorsi della musica giapponese nel novecento"--T.p. verso.
504 $aIncludes bibliographical references (p. 327-334) and index.
505 00 $tForeword to the Italian Edition /$rLuciano Berio -- $tForeword to the English Edition /$rYuasa Joji -- $tIntroduction: Traditional Japanese Cultural Values and Japan's Transition into the Twentieth Century -- $g1.$tThe Introduction of Western Music -- $g1.1.$tThe Role of Western Music in the Program of Modernization: Modernization through Westernization? -- $g1.2.$tTravels and Musical Exchange: The First Foreign Musicians in Japan and the First Japanese Abroad -- $g1.3.$tThe Traditional and the New in Japanese Music -- $g2.$tThe Evolution of a Western-Style Musical Language in the First Half of the Twentieth Century -- $g2.1.$tThe Influence of French and German Music on Japanese Composers -- $g2.2.$tThe Avant-Garde and Shinko -- $g3.$tA New Musical World -- $g3.1.$tMusic Schools and the First Symphony Orchestras -- $g3.2.$tMusic Journals -- $g3.3.$tThe Birth of Opera -- $g3.4.$tJapanese Society and the Influence of Broadcasting and Recording -- $g4.$tNationalism and Music --
505 80 $g4.1.$tPolitical Movements and the Proletarian Music League -- $g4.2.$tPropaganda and Censorship -- $g5.$tThe Cultural and Social Situation in the Postwar Period -- $g5.1.$tSimilarities and Differences with Europe -- $g5.2.$tContinuity and Change on the Postwar Music Scene -- $g6.$tThe Postwar Avant-Garde -- $g6.1.$tJikkenkobo -- $g6.2.$tElectronic Music -- $g6.3.$tThe Twentieth-Century Music Laboratory -- $g6.4.$tComposer's Associations -- $g7.$tThe 1960s -- $g7.1.$tThe Impact of Cage. Happening and Performance. The New Direction Group and Its Activities -- $g7.2.$tThe Boom in Traditional Music -- $g8.$tThe Closing Decades of the Twentieth Century -- $g8.1.$tThe Leading Composers: Matsudaira, Yuasa, Takemitsu, Ishii, and Ichiyanagi -- $g8.2.$tAn Overview of the Musical Situation in Japan in the Closing Decade of the Twentieth Century -- $g8.3.$tHogaku -- $g8.4.$tOther Composers -- $g8.5.$tThe Next Generation.$gApp. A.$tList of Japanese Names -- $gApp. B.$tList of Aesthetic and Musical Terms.
650 0 $aMusic$zJapan$y20th century$xHistory and criticism.
852 00 $bmus$hML240.5$i.G35 2002