| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:394837391:1909 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:394837391:1909?format=raw |
LEADER: 01909mam a2200349 a 4500
001 3386057
005 20221020061942.0
008 020418t20022002nyu b 001 0 eng
010 $a 2002025570
020 $a0404644589 (alk. paper)
035 $a(OCoLC)ocm49699326
035 $9AVG0615CU
035 $a(NNC)3386057
035 $a3386057
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aPR4591$b.R46 2002
082 00 $a823/.8$221
100 1 $aRem, Tore.$0http://id.loc.gov/authorities/names/n2002024431
245 10 $aDickens, melodrama, and the parodic imagination /$cTore Rem.
260 $aNew York :$bAMS Press,$c[2002], ©2002.
300 $axii, 239 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aAMS studies in the nineteenth century ;$vno. 28
504 $aIncludes bibliographical references (p. [205]-233) and index.
505 00 $g1.$tParody and Melodrama -- $g2.$tThe Pickwick Papers -- $g3.$tMartin Chuzzlewit -- $g4.$tGreat Expectations -- $g5.$tOur Mutual Friend -- $g6.$tGeneral Parodic Treatment.
520 1 $a"Dr. Rem examines the Inimitable's comic method in several of his more popular novels, focusing on Dickens's double generic use of the melodramatist's emotional excesses and the parodist's detached and ironic stance. In the hands of a master like Dickens, the results give us a picture of a writer both rooted in and shaping the popular culture of his time - that, and works of genius seen, as it were, for the first time."--BOOK JACKET.
600 10 $aDickens, Charles,$d1812-1870$xTechnique.
650 0 $aMelodrama$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2010101424
650 0 $aParody.$0http://id.loc.gov/authorities/subjects/sh85098254
830 0 $aAMS studies in the nineteenth century ;$vno. 28.$0http://id.loc.gov/authorities/names/n42001845
852 00 $bglx$hPR4591$i.R46 2002