| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:387754133:4780 |
| Source | marc_columbia |
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LEADER: 04780mam a2200373 a 4500
001 3377941
005 20221020060334.0
008 021202s2002 nyuah 000 0 eng
015 $aGBA2-U9348
016 7 $a0262083132$2Uk
020 $a0262083132 :$c£20.50
035 $a(OCoLC)50654563
035 $a(OCoLC)ocm50654563
035 $9AVE7560CU
035 $a(NNC)3377941
035 $a3377941
040 $aBDS$cBDS$dUk$dCStRLIN$dCaQMCCA$dNNC$dOrLoB-B
043 $ae------
082 04 $a709.4309045$221
090 $aN6758$b.P6 2002
245 00 $aPrimary documents :$ba sourcebook for Eastern and Central European art since the 1950s /$cedited by Laura Hoptman and Tomáš Pospiszyl with the assistance of Majlena Brown and Clay Tarica, foreword by Ilya Kabakov.
260 $aNew York :$bThe Museum of Modern Art ;$aCambridge, Mass. :$bDistributed by the MIT press,$c2002.
300 $a375 pages :$billustrations, facsimiles ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tForeword /$rIlya Kabakov --$tIntroduction /$rLaura Hoptman and Tomas Pospiszyl --$g1.$tThe Secret Life of People's Culture.$tVirtual Estonia and No Less Virtual Moscow: An Essay on Island Mythology /$rYuri Sobolev.$tThe Intellectual under Socialism /$rJindrich Chalupecky.$tNonofficial Art: Soviet Artists of the 1960s /$rAndrei Erofeev.$tThe Bertalan Case: The Artistic Experiment as an Exercise and Neurotic Sublimation /$rCoriolan Babeti.$tA Report on the Third Czech Musical Revival /$rIvan Martin Jirous.$tThe Bulldozer and Izmailovsky Park Exhibitions, Moscow, 1974: Chronology of Events, Letters, and Interviews --$g2.$tPioneers and Their Manifestos.$tManifestos /$rDimitrije Basicevic Mangelos.$tManifest "HAPPSOC" /$rStano Filko, Zita Kostrova and Alex Mlynarcik.$tAn Introduction to a General Theory of Place /$rWieslaw Borowski, Hanna Plaszkowska and Mariusz Tchorek.$tOHO Manifesto /$rMarko Pogacnik and I. G. Plamen.
505 80 $tA History of Chance: Art as an Empty Sign; Theses for the Marly Conference of 1980 /$rMiklos Erdely.$tThe Milano Lessons: 12 - Before the End of the Twentieth Century /$rTadeusz Kantor.$tAn Event for the Post Office, the Police, and the Occupants of No. 26 Vaclavkova Street, Prague 6, and for all Their Neighbors, Relatives, and Friends /$rMilan Knizak and Jan Maria Mach --$g3.$tConceptual Art and Times of Transition.$tGorgona: Art as a Way of Existence /$rNena Dimitrijevic.$tThe Ethics of Form or Aesthetics of Logic /$rBraco Dimitrijevic.$tKrzysztof Wodiczko and Polish Art of the 1970s /$rAndrzej Turowski.$tMoscow Romantic Conceptualism /$rBoris Groys.$tSeven Photographs /$rAndrei Monastyrski.$tThe Readymade and the Question of the Fabrication of Objects and Subjects /$rSuzana Milevska.$t"Weekend Art: Hallelujah the Hill" /$rAleksandar Battista Ilic, Ivana Keser and Tomislav Gotovac --$g4.$tBody Unbound.$tOne Sunday ... /$rAlina Szapocznikow.$tSleep - Awakening - The Game /$rGeta Bratescu.
505 80 $tDouble Life: Documents for Autobiography 1959-75 /$rSanja Ivekovic.$tEncounters with Action Artists /$rPetr Rezek.$tMale Artist's Body: National Identity vs. Identity Politics /$rPiotr Pietrowski.$tWhere the Heck Am I? Where Are My Things? /$rVledislav Mamyshev.$tCarrying Buckets, Trotting Like Pigs /$rArtur Zmijewski and Katarzyna Kozyra.$tPyramid of Animals by Katarzyna Kozyra: Letters and Articles --$g5.$tOnward Toward the Retro-Avant-garde!$tThe Barren Flowers of Evil /$rKomar and Melamid.$tChronicle of the Events /$rWojciech Marchlewski.$tThe Action is on (for the time being) ... /$rNedko Solakov.$tUntitled Celebration /$rCalin Dan.$tWhy are Laibach and NSK not Fascists? /$rSlavoj Zizek.$tThe IRWIN Group: More Total than Totalitarianism /$rBoris Groys.$tLaibach.$tScipion Nasice Sisters Theater.$tIRWIN.$tNSK State in Time /$rEda Cufer /$rIrwin --$g6.$tAn Empty Pedestal: Between Freedom and Nationalism.$tThe Balkanization of Alpa Europaea /$rLuchezar Boyadjiev.
505 80 $tA 1992 Guide for the Creation of Works of Art with Nature Themes /$rImre Bukta.$tMonument Revisited /$rHelena Demakova.$tSelections from "Mail Radek" /$rAnatoly Osmolovsky.$tBalkan for Beginners /$rBojana Pejic.$tThe Revenge of the Background /$rEkaterina Degot.$tAn Open Letter to the Art World /$rVarious Authors.$tResponse to an Open Letter to the Art World /$rViktor Misiano.$tWhy Have I Bitten a Man? /$rOleg Kulik.$tThe Cultural War /$rWenda Gu.$tDialogue /$rIgor Zabel.
650 0 $aArt, European$y20th century$vSources.
654 2 $ck$aArt$cz$bEurope$cy$b1950-2010.$2aat
700 1 $aHoptman, Laura J.,$d1962-$0http://id.loc.gov/authorities/names/n95076118
700 1 $aPospiszyl, Tomáš.$0http://id.loc.gov/authorities/names/nr2002027478
852 80 $bfax$hN6750$iP92