| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:373926643:3777 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:373926643:3777?format=raw |
LEADER: 03777cam a22005294a 4500
001 3367980
005 20221020054155.0
008 021108t20022002maua b 001 0 eng
010 $a 2001056834
019 $a51193381
020 $a0262134071 (hc. : alk. paper)
020 $a9780262134071 (hc. : alk. paper)
024 $a99958408806
035 $a(OCoLC)ocm48710934
035 $a(OCoLC)48710934$z(OCoLC)51193381
035 $a(NNC)3367980
035 $a3367980
040 $aDLC$beng$cDLC$dUKM$dC#P$dBAKER$dNLGGC$dBTCTA$dLVB$dYDXCP$dIG#$dHEBIS$dBDX$dUKBOL$dOCLCO$dOCLCF$dNJI
042 $apcc
050 00 $aNA2540$b.L36 2002
082 00 $a720/.1/05$221
084 $a21.79$2bcl
100 1 $aLeatherbarrow, David.$0http://id.loc.gov/authorities/names/n82152022
245 10 $aSurface architecture /$cDavid Leatherbarrow and Mohsen Mostafavi.
260 $aCambridge, Mass. :$bMIT Press,$c[2002], ©2002.
300 $a264 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [243]-255) and index.
520 $aVisually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This text explores ways that design can take advantage of production methods so that architecture is neither independent of nor dominated by technology.
505 0 $a1. Introduction: Why surface architecture? -- 2. Framing containment -- Framing the face -- Monumental volumes -- Representation and production -- Minimal surfaces -- The factory -- Total containment -- Chicago frames -- 3. Window/wall -- De-vignolization -- Viewing the landscape -- Opacity and transparency -- The oblique -- The painted view -- The depth of the window wall -- Taking stock -- Border adjustments -- Vertical and horizontal -- Misalignments -- Cladding as clothing -- Windows and/as walls -- 4. The appearance of covering -- Atectonic fabrications: Sliding surfaces -- Masking and revealing -- Symbolic surfaces -- The impressed facade: Tattoo -- Surface appliqué -- Impressions -- Planarity and surface impressions -- Aesthetics in an industrial age -- Ideality of the constructed fact -- Architecture for industry -- Factory-made -- 5. Adjusting standards -- The light of industry -- Modern appearances and practicality -- Prefabrication and personality -- Architecture en série -- Fabrication processes -- "For many years I wore the leather apron" -- 6. Premade-remade -- Open and closed systems of construction -- Brutal facts of building -- Facts of building and of life -- Invention and limited means -- Chance construction -- As found -- Formlessness -- 7. Technique and appearance: The task of the present -- Distraction -- Modern building and historical memory -- Representation and nonrepresentation -- Building images -- Postscript -- Technique -- Appropriation.
650 0 $aArchitecture.$0http://id.loc.gov/authorities/subjects/sh85006611
650 0 $aArchitecture and technology.$0http://id.loc.gov/authorities/subjects/sh97005373
650 0 $aMaterials$xAppearance.$0http://id.loc.gov/authorities/subjects/sh85082067
650 17 $aGevels.$2gtt
650 17 $aStructuur.$2gtt
650 6 $aArchitecture.
650 6 $aArchitecture et technologie.
650 6 $aMatériaux$xApparence.
650 07 $aBaustoff.$2swd
650 07 $aUmhüllungskonstruktion.$2swd
650 07 $aBauornament.$2swd
650 7 $aArchitecture.$2fast$0(OCoLC)fst00813346
650 7 $aArchitecture and technology.$2fast$0(OCoLC)fst00813591
650 7 $aMaterials$xAppearance.$2fast$0(OCoLC)fst01011776
700 1 $aMostafavi, Mohsen.$0http://id.loc.gov/authorities/names/n87863002
852 00 $bave$hNA2540$i.L36 2002