| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:336788404:3158 |
| Source | marc_columbia |
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LEADER: 03158cam a22004334a 4500
001 3337705
005 20221020043855.0
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010 $a 2001044601
015 $aGBA2-47234
020 $a0520226720 (alk. paper)
020 $a0520231597 (pbk. alk. paper)
035 $a(OCoLC)ocm47790334
035 $9AUY7805CU
035 $a(NNC)3337705
035 $a3337705
040 $aDLC$cDLC$dUKM$dOrLoB-B
041 1 $aeng$hger
042 $apcc
050 00 $aML423.A33$bA63 2002
082 00 $a780$221
100 1 $aAdorno, Theodor W.,$d1903-1969.$0http://id.loc.gov/authorities/names/n80002956
245 10 $aEssays on music :$bTheodor W. Adorno ; selected, with introduction, commentary, and notes by Richard Leppert ; new translations by Susan H. Gillespie.
260 $aBerkeley, Calif. :$bUniversity of California Press,$c[2002], ©2002.
300 $axvii, 743 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 681-708) and index.
505 00 $tIntroduction /$rRichard Leppert --$g1.$tLocating Music: Society, Modernity, and the New Commentary /$rRichard Leppert.$tMusic, Language, and Composition (1956).$tWhy Is the New Art So Hard to Understand? (1931).$tOn the Contemporary Relationship of Philosophy and Music (1953).$tOn the Problem of Musical Analysis (1969).$tThe Aging of the New Music (1955).$tThe Dialectical Composer (1934) --$g2.$tCulture, Technology, and Listening Commentary /$rRichard Leppert.$tThe Radio Symphony (1941).$tThe Curves of the Needle (1927/1965).$tThe Form of the Phonograph Record (1934).$tOpera and the Long-Playing Record (1969).$tOn the Fetish-Character in Music and the Regression of Listening (1938).$tLittle Heresy (1965) --$g3.$tMusic and Mass Culture Commentary /$rRichard Leppert.$tWhat National Socialism Has Done to the Arts (1945).$tOn the Social Situation of Music (1932).$tOn Popular Music [With the assistance of George Simpson] (1941).$tOn Jazz (1936).$tFarewell to Jazz (1933).$tKitsch (c. 1932).
505 80 $tMusic in the Background (c. 1934) --$g4.$tComposition, Composers, and Works Commentary /$rRichard Leppert.$tLate Style in Beethoven (1937).$tAlienated Masterpiece: The Missa Solemnis (1959).$tWagner's Relevance for Today (1963).$tMahler Today (1930).$tMarginalia on Mahler (1936).$tThe Opera Wozzeck (1929).$tToward an Understanding of Schoenberg (1955/1967).$tDifficulties (1964, 1966).
600 10 $aAdorno, Theodor W.,$d1903-1969$xCriticism and interpretation.
650 0 $aMusic$xPhilosophy and aesthetics.$0http://id.loc.gov/authorities/subjects/sh85088808
600 14 $aAdorno, Theodor W.$q(Theodor Wiesengrund),$d1903-1969$xCriticism and interpretation.
700 1 $aLeppert, Richard D.$0http://id.loc.gov/authorities/names/n77012167
700 1 $aGillespie, Susan H.,$etranslator.$4http://id.loc.gov/vocabulary/relators/trl$0http://id.loc.gov/authorities/names/n00032658
852 00 $bmus$hML423.A33$iA63 2002
852 0 $bglx$hML423.A33$iA63 2002
852 00 $bsaid$hML423.A33$iA63 2002
852 00 $bsaid$hML423.A33$iA63 2002