| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:307155649:2754 |
| Source | marc_columbia |
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LEADER: 02754mam a22003734a 4500
001 3307398
005 20221020034108.0
008 010822t20022002maua b 001 0 eng
010 $a 2001044753
020 $a0262112655 (hc. : alk. paper)
020 $a9780262612029 (pb)
035 $a(OCoLC)ocm47892291
035 $9AUU7066CU
035 $a(NNC)3307398
035 $a3307398
040 $aDLC$cDLC$dC#P$dOrLoB-B$dNNC
042 $apcc
050 00 $aN6490$b.K93 2002
082 00 $a709/.04/07$221
100 1 $aKwon, Miwon.$0http://id.loc.gov/authorities/names/n93030587
245 10 $aOne place after another :$bsite-specific art and locational identity /$cMiwon Kwon.
260 $aCambridge, Mass. :$bMIT Press,$c[2002], ©2002.
300 $a218 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [168]-210) and index.
520 1 $a"Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique community-based art, and public art, its creators insisted on the inseparability of the work and its context.
520 8 $aIn recent years. however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" has been challenged by new models of site specificity and changes in institutional and market forces.".
520 8 $a"One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem.
520 8 $aIt examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Susanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson."--BOOK JACKET.
650 0 $aSite-specific art.$0http://id.loc.gov/authorities/subjects/sh00000143
650 0 $aArt, Modern$y20th century.$0http://id.loc.gov/authorities/subjects/sh85007805
852 80 $bfax$hN6490$iK98
852 00 $bmil$hN6490$i.K93 2002