MARC Record from marc_columbia

LEADER: 05161fam a22003734a 4500
001 3290557
005 20221020030605.0
008 010706s2002 nyuab b 001 0 eng
010 $a 2001093466
020 $a0500283346 (pbk.)
020 $a0500237921 (hardcover)
020 $a9780500283349 (pbk.)
024 30 $a9780500283349 (pbk.)$d90000
035 $a(OCoLC)49751212
035 $a(OCoLC)ocm49751212
035 $a(NNC)3290557
035 $a3290557
040 $aDLC$cDLC$dNNC$dOrLoB-B
042 $apcc
043 $an-us---
050 00 $aN6512$b.P59 2002
100 1 $aPohl, Frances K.$q(Frances Kathryn),$d1952-$0http://id.loc.gov/authorities/names/n88107505
245 10 $aFraming America :$ba social history of American art /$cFrances K. Pohl.
260 $aNew York, N.Y. :$bThames & Hudson,$c2002.
300 $a560 pages :$billustrations (some color), maps (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 526-540) and index.
505 00 $g1.$tArt and Conquest --$tThe Spanish and the Aztecs --$tThe Northern Territories of New Spain --$tFrance Bringing the Faith: the Northeast --$tThe Exploration of the Mississippi and Mississippian Culture --$tA Protestant Presence in America --$tThe Art and Architecture of the Northern British and Dutch Colonies --$tProducts of the Needle and the Chisel --$tForeign Wars and Domestic Unrest --$g2.$tDefining America --$tRepresenting the Revolution and Its Aftermath --$tPresidential Poses: Images of George Washington --$tArchitectural Symbols of a New Nation --$tAn Architecture of Discipline --$tNationhood and Native Americans --$tThe Schooling of the Nation's Artists: Samuel F. B. Morse and the National Academy of Design --$tThe Entrepreneurial Spirit and the Production of American Culture --$g3.$tNature and Nation --$tNature and the Sacred in Native American Art --$tGod, Nature, and the Rise of Landscape Painting --$tThomas Cole, Federalism, and The Course of Empire --$tEdward Hicks and The Peaceable Kingdom --$tLandscape Painting at Mid-Century: Frederic Edwin Church and the Luminists --$tNative Americans as Nature --$tDepicting the "Looks and Modes" of Native American Life --$tNature Transformed: Settling the Landscape --$tWoman as Nature: The Nude, the Mother, and the Cook --$tNature Morte: Still Life and the Art of Deception --$g4.$tA Nation at War --$tThe War between the United States and Mexico --$tMexican Culture as American Culture --$tPrelude to the Civil War: Representing African Americans and Slavery --$tRace and the Civil War --$tImages of Reconstruction --$tMonuments to Freedom --$tNative Americans in the Popular Press: Harper's Weekly and the Washita River Massacre --$tEncyclopedias of Experience: Native American Ledger Art --$tThe End of the Ghost Dance --$tThe Hampton Institute and Lessons in American History --$g5.$tWork and Art Redefined --$tOne Hundred Years of Independence: Taking Stock of America at the 1876 Philadelphia Centennial Exhibition --$tImages of Workers --$tCelebrating the New Male Professionals: Portraits by Thomas Eakins --$tThe Female Body and the Rights of Women: the "Declaration of Sentiments" and Hiram Powers's The Greek Slave --$tDomestic Culture and Cultural Production --$tThe Feminine Ideal and the Rise of Aestheticism --$tImages of the Particular: Portraiture and "Trompe l'Oeil" Painting --$tThe Battle over Public Space --$tThe End of a Century: Art and Architecture and the World's Columbian Exposition --$g6.$tThe Machine, the Primitive, and the Modern --$tRealism and the Ashcan School --$tModernism and the Avant-Garde --$tWorld War I and the Art of Reproduction --$tModernism, Gender, and Sexuality --$tEscape to Mexico --$tMexico in America: Imaging the American Southwest --$tThe Harlem Renaissance --$g7.$tArt for the People, Art Against Fascism --$tA New Deal for Art --$tModernist Architecture, Domestic Design, and Planned Communities --$tAlternative Visions: Urban Life and the Industrial Worker --$tAlternative Visions: The Corporate View of Industrial America --$tAlternative Visions: Women at Work in the City --$tAlternative Visions: Rural America --$tArt Against Fascism: The Popular Front and the American Artists' Congress --$tThe War at Home: Japanese American Internment and American Patriotism --$tSocial Surrealism, Abstraction, and Democracy --$g8.$tFrom Cold War to Culture Wars --$tGestures of Liberation: Abstract Art as the New American Art --$tPastiche and Parody: Another Take on the Real --$tMinimal Forms --$tPopular Art, Pop Art, and Consumer Culture --$tAn Art of Protest: The Civil Rights Movement and the Vietnam War --$tThe Personal is Political: Feminist Art of the 1970s --$tPublic Art and Public Interest --$tIs Less More? Re-evaluating Modernism in Architecture --$tPostmodernism and Art --$tThe Culture Wars.
650 0 $aArt, American.$0http://id.loc.gov/authorities/subjects/sh85007537
650 0 $aArt and society.$0http://id.loc.gov/authorities/subjects/sh85007975
852 80 $bfax$hN6505$iP76
852 00 $bbar$hN6512$i.P59 2002
852 00 $bbar$hN6512$i.P59 2002