| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:284397712:1599 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:284397712:1599?format=raw |
LEADER: 01599mam a22003374a 4500
001 3288102
005 20221020030119.0
008 020213s2002 ctua b 001 0 eng
010 $a 2002020843
020 $a0819565520 (cloth : alk. paper)
020 $a0819565539 (paper : alk. paper)
035 $a(OCoLC)ocm49225547
035 $9AUS2334CU
035 $a3288102
040 $aDLC$cDLC$dOrLoB-B
042 $apcc
043 $an-us---
050 00 $aGV1588.6$b.F73 2002
082 00 $a792.8/0973$221
100 1 $aFranko, Mark.$0http://id.loc.gov/authorities/names/n86024288
245 14 $aThe work of dance :$blabor, movement, and identity in the 1930s /$cMark Franko.
260 $aMiddletown, Conn. :$bWesleyan University Press,$c2002.
300 $axiv, 213 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 199-209) and index.
505 00 $tIntroduction: Dance/Work/Labor --$gPt. I.$tEmotion and Form.$g1.$tOrganization and Performative Economies of Work.$g2.$tEssentialized Affect and E/motion.$g3.$tMetakinetic Interpellations.$g4.$tCultural Cross-Dressing as Class Construction --$gPt. II.$tGenre and Class.$g5.$tThe Ballet-versus-Modern Wars as Ideology.$g6.$tLives of Performers: News, Sex, and Spectacle Theory.$g7.$tStrikes, Revues, and the Organized Dancer.
650 0 $aDance$xSocial aspects$zUnited States$xHistory$y20th century.
650 0 $aDance$zUnited States$xHistory$y20th century.
852 00 $bglx$hGV1588.6$i.F73 2002
852 00 $bbar$hGV1588.6$i.F73 2002