| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:17661065:1578 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-007.mrc:17661065:1578?format=raw |
LEADER: 01578mam a2200325 a 4500
001 3014455
005 20221019192712.0
008 010402s2000 ctua 000 0 eng
015 $aGBA1-Y2741
020 $a0300087209
035 $a(OCoLC)46973109
035 $a(OCoLC)ocm46973109
035 $9ATG0931CU
035 $a(NNC)3014455
035 $a3014455
040 $aBDS$cBDS$dUk$dNNC$dOrLoB-B
082 04 $a759.5$221
100 1 $aCadogan, Jean K.$0http://id.loc.gov/authorities/names/n82034745
245 10 $aDomenico Ghirlandaio :$bartist and artisan /$cJean J. Cadogan.
260 $aNew Haven ;$aLondon :$bYale University Press,$c2000.
263 $a200104
300 $axi, 432 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
520 1 $a"Domenico Ghirlandaio was one of the most popular artists in fifteenth-century Florence. He worked in a variety of media, including panel paintings, wall murals, mosaic, and manuscript illumination, and his workshop - to which Michelangelo was apprenticed - was highly influential. This book offers a new interpretation of Ghirlandaio's life and work, viewing him primarily as an artisan active within the craft traditions, guild structure, and workshop organizations of his day."--BOOK JACKET.
600 10 $aGhirlandaio, Domenico,$d1449-1494$xCriticism and interpretation.
600 10 $aGhirlandaio, Domenico,$d1449-1494$vCatalogues raisonnés.
852 80 $bfax$hND623 G34$iC11
852 80 $bfax$hND623 G34$iC11
852 00 $bbar$hND623.G4$i.C33 2000