MARC Record from marc_columbia

LEADER: 02175mam a2200373 a 4500
001 3126514
005 20221019225148.0
008 010514s2001 waua b 001 0 eng
010 $a 2001035804
020 $a0941188264
035 $a(OCoLC)46975190
035 $a(OCoLC)ocm46975190
035 $9ATV9694CU
035 $a(NNC)3126514
035 $a3126514
040 $aDLC$cDLC$dNNC$dOrLoB-B
042 $apcc
050 00 $aTR897$b.S66 2001
082 00 $a778.5/344$221
100 1 $aSonnenschein, David.$0http://id.loc.gov/authorities/names/n84156255
245 10 $aSound design :$bthe expressive power of music, voice, and sound effects in cinema /$cby David Sonnenschein.
260 $aSeattle, WA :$bMichael Wiese Productions,$c2001.
263 $a0109
300 $a243 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 227-231) and index.
505 00 $gCh. 1.$tCreating the Sound Design Step-By-Step --$gCh. 2.$tExpanding Creativity --$gCh. 3.$tFrom Vibration to Sensation --$gCh. 4.$tFrom Sensation to Perception --$gCh. 5.$tMusic to Our Ears --$gCh. 6.$tThe Human Voice --$gCh. 7.$tSound and Image --$gCh. 8.$tSound and Narrative --$gCh. 9.$tThe Future of Sound Design.
520 1 $a"The clash of light sabers in the electrifying duels of Star Wars. The chilling bass line signifying the lurking menace of the shark in Jaws. The otherworldly yet familiar pleas to "phone home" in the enchanting E. T.".
520 8 $a"These are examples of the different ways sound can contribute to the overall dramatic impact of a film. To craft a distinctive atmosphere, sound design is as important as art direction and cinematography - and it can also be an effective tool to express the personalities of your characters."--BOOK JACKET.
650 0 $aSound motion pictures.$0http://id.loc.gov/authorities/subjects/sh85088125
650 0 $aSound$xRecording and reproducing.$0http://id.loc.gov/authorities/subjects/sh85125368
650 0 $aMotion pictures$xSound effects.$0http://id.loc.gov/authorities/subjects/sh85088109
852 00 $bglx$hTR897$i.S66 2001